West Coast Avengers (1984) #4

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Hall hasn’t made much of an impression during West Coast Avengers but during the climatic battle scene here, he does a great job. He’s got Breeding and Berardi inking him (and this issue has no art hiccups like the previous three) but it’s really about his panel composition. Plus, he’s able to bring real drama to Stern’s scripting of the action sequence.

Otherwise, the issue lacks any distinction. It’s a mediocre superhero book. The Vision shows up again to congratulate the team (he doesn’t call them “Angels” though) and Rhodey reveals himself to be Iron Man II. Stern handles that revelation well. Though, by the end, Iron Man’s off by himself with Tigra paws Wonder Man.

There’s also some funny stuff about Graviton’s molls thinking he’s a lame creep.

Stern comes up with a decent plan for the team to confront him.

Again, it’s fine. Most impressive for Hall’s contribution.

West Coast Avengers (1984) #3

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There’s something weird about Graviton. It’s almost like he’s overcompensating.

This issue focuses mostly on Tigra and Wonder Man (Rhodey gets cast aside). First it’s about their insecurities, then it’s them teaming up with the Shroud to go after the bad guy (who’s secretly working with Graviton).

The splash page has some weak proportions from Hall and Breeding but it clears up fast. Except for Iron Man only showing his teeth through the mouth slot, I imagine in five more issues, the art would start getting good. Too bad there’s only one more issue.

Stern, being a professional superhero writer, is able to work through all the nonsense and expository dialogue and actually make Wonder Man sympathetic during his talk with Tigra. Still, it’s weird how she’s pairing off with him, sort of leaving Rhodey to be a third wheel to the still underrepresented Hawkeye and Mockingbird.

It’s okay stuff.

West Coast Avengers (1984) #2

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Is it possible for Wonder Man to be any more annoying? He spends every moment either bragging about himself or whining. And Stern loves expositional dialogue, so it’s a lot to get through.

My favorite line in the book is from him, though–“Who would be crazy enough to rob a bank in broad daylight?” Either Stern (who’s written a lot of comics and they must have had bank robberies) is out of it or he’s very subtly trying to point out Wonder Man is a complete idiot. Unfortunately, I think it’s the former.

The book opens with the team training, which leads to Rhodey (as Iron Man) and Tigra both having lengthy low self-esteem thoughts in balloons. It’s getting to be a problem, especially since Hawkeye and Mockingbird barely make an impression this issue.

Again, decent enough superhero art from Hall and Breeding. Nothing sensational, nothing too terrible.

West Coast Avengers (1984) #1

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Wow, Stern writes some tone-deaf dialogue. Not all of it, but some… there are some lines in here, it’s like he got out the thesaurus. Though I suppose naturalism wasn’t his goal. He goes overboard with the thought balloons too.

What he does do—which is actually quite neat—is set the issue up a little like an episode of “The Love Boat” and the superheroes are the guest stars. We get a nice introduction to everyone and a little backstory and it all feels very… eighties. But in an okay way.

And the Vision’s guest spot is a little like “Charlie’s Angels.”

The resolution is pretty funny (the issue’s conflict is due to Jessica Drew prying into Tigra’s personal business).

The art, from Hall and Breeding, has a lot of problems. Their people are awkwardly squat.

It’s not any good, but it’s particularly bad.

Though Wonder Man’s goofy.

Marvel Team-Up Annual (1976) #7

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Did Louise Simonson get paid by the word? Ten pages into this issue and I was already ready for a nap. It’s the most boring comic book I can remember reading–Spidey and Marrina (from Alpha Flight) get kidnapped by an alien collecting lifeforms, including some Superman might want in his zoo, and Alpha Flight shows up to help them.

Actually, Alpha Flight shows up to bicker. According to John Byrne, Northstar was always supposed to be gay but Byrne isn’t writing this issue so one has to wonder if another possibility was he was supposed to have the hots for his sister, Aurora.

Most of the issue is spent with Northstar acting like a perv in regards to her.

If I never read another Alpha Flight comic again, it’ll be way too soon. What a miserable time.

Amusingly, Simonson seems to get it–Spidey comments on their lame behavior.

Marvel Team-Up Annual 7 (1984)

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Did Louise Simonson get paid by the word? Ten pages into this issue and I was already ready for a nap. It’s the most boring comic book I can remember reading–Spidey and Marrina (from Alpha Flight) get kidnapped by an alien collecting lifeforms, including some Superman might want in his zoo, and Alpha Flight shows up to help them.

Actually, Alpha Flight shows up to bicker. According to John Byrne, Northstar was always supposed to be gay but Byrne isn’t writing this issue so one has to wonder if another possibility was he was supposed to have the hots for his sister, Aurora.

Most of the issue is spent with Northstar acting like a perv in regards to her.

If I never read another Alpha Flight comic again, it’ll be way too soon. What a miserable time.

Amusingly, Simonson seems to get it–Spidey comments on their lame behavior.

CREDITS

The Collected Spider-Man; writer, Louise Simonson; penciller, Paul Neary; inker, Sam de la Rosa; colorist, Joe Rosen; letterer, Christie Scheele; editor, Danny Fingeroth; publisher, Marvel Comics.

The Amazing Spider-Man (1963) #252

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Tom DeFalco really likes expository dialogue and thought balloons, not to mention narration. Peter Parker cannot shut up he’s talking to himself so much, then there’s the Black Cat thinking about recent events to catch the reader up. Strangely, the issue opens on this amusing exchange between Jonah and Robbie about the best way to use art on the cover of the Bugle.

The opening and close is pretty strong–DeFalco paces the issue really well and reading it is an investment of time (oh, the eighties… one got to read one’s Marvel comic for longer than five minutes… I’d forgotten).

Spidey and Curt Connors get back from Secret Wars in a nice sequence, then the lengthy Peter exposition stuff, but the conclusion is Spidey taking an arguing teenage couple out to see New York the way he does.

It’s occasionally overwritten, but still a rather good mainstream comic book.

The Amazing Spider-Man 252 (May 1984)

28098.jpgTom DeFalco really likes expository dialogue and thought balloons, not to mention narration. Peter Parker cannot shut up he’s talking to himself so much, then there’s the Black Cat thinking about recent events to catch the reader up. Strangely, the issue opens on this amusing exchange between Jonah and Robbie about the best way to use art on the cover of the Bugle.

The opening and close is pretty strong–DeFalco paces the issue really well and reading it is an investment of time (oh, the eighties… one got to read one’s Marvel comic for longer than five minutes… I’d forgotten).

Spidey and Curt Connors get back from Secret Wars in a nice sequence, then the lengthy Peter exposition stuff, but the conclusion is Spidey taking an arguing teenage couple out to see New York the way he does.

It’s occasionally overwritten, but still a rather good mainstream comic book.

CREDITS

Homecoming; writers, Roger Stern and Tom DeFalco; penciller, Ron Frenz; inker, Brett Breeding; colorist, Glynis Wein; letterer, Joe Rosen; editor, Danny Fingeroth; publisher, Marvel Comics.