Dark Horse’s Robocop ends here. Finally.
It’s not a bad issue, definitely the best in this series and probably overall (the competition isn’t particularly steep, however). It helps Jeff Butler handles some of the art chores. I don’t know who he is or what else he’s done, but he’s better than Byrd.
There’s some unintentionally funny moments here, especially when they rip off a scene from Robocop 2.
A brief post-mortem on Dark Horse’s Robocop, since there’s nothing else to say about the comic book (it’s bad, but not godawful):
There’s no continuity. Just a general reference to the movies, especially the third one, but nothing to really tie the series together. There are these evil rich white men who control all the bad things (oh, is it just me or is the only real black character in the comic–set in Detroit–a criminal?), but it goes nowhere.