Supergirl never really had a chance. The Superman-inspired opening credits lack any grandeur, ditto with Jerry Goldsmith’s lame music. Goldsmith improves somewhat throughout, but the lack of a catchy theme song hurts the film.
The film has a few things going for it, however, including Helen Slater in the lead and Szwarc’s direction. A handful of scenes are quite good, hinting at what a better script might have been able to embrace. Unfortunately, David Odell’s script is moronic. He doesn’t just give Supergirl a dumb villain (Faye Dunaway must have been really desperate for work), he doesn’t even give Slater a story arc. There are hints at one–when Slater gets to Earth, she’s finally smarter. The opening (with Mia Farrow and Simon Ward looking embarrassed as Slater’s parents) suggest she’s kind of slow, or at least unfocused.
The trip to Earth, the film can’t help but implying, matures her.
There are also some excellent special effects. Even when the effects don’t work, it isn’t because they’re not competent, it’s because it’s a dumb idea. Dunaway’s an evil witch. It’s a flying superhero versus a witch. There isn’t a lot of room for good action set pieces with that scenario.
Other than Slater, the best performance is probably Hart Bochner as her love interest. He’s not good, just not terrible. I suppose Peter Cook is only embarrassing himself, not bad. Brenda Vaccaro, Jeff to Dunaway’s Mutt, is atrocious.
Slater’s performance deserves a better film. It’s unfortunate Supergirl doesn’t deliver.
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