The Stop Button

Alien: Romulus (2024) D: Fede Álvarez. S: Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu, Daniel Betts. Nearly okay ALIEN mid-equel (after ALIEN 1, before ALIENS, but tied into PROMETHEUS) eventually collapses under too much unironic “homage.” If lead Spaeny were better, someone might be able to hold it up. Fearn and Wu are particularly bad, though. Jonsson’s good as the android. Some excellent special effects and an outstanding score from Benjamin Wallfisch.

The Dead Pool (1988) D: Buddy Van Horn. S: Clint Eastwood, Patricia Clarkson, Liam Neeson, Evan C. Kim, Jim Carrey, David Hunt, Michael Currie. Painfully pedestrian final DIRTY HARRY has Eastwood bickering with reporter Clarkson while murders keep happening on horror film director Neeson’s set. Neeson’s terrible (his shifting accent’s something), but otherwise no one’s bad. It’s just a lousy script, particularly for Clarkson. The Lalo Schfrin score disappoints, Van Horn’s direction’s barely competent, and it’s too slight. Like it’s a TV show pilot.

House by the River (1950) D: Fritz Lang. S: Louis Hayward, Jane Wyatt, Lee Bowman, Dorothy Patrick, Ann Shoemaker, Jody Gilbert, Sarah Padden. Excellent Gothic thriller about lech Hayward convincing brother Bowman to help him cover up a crime. Except when the going gets tough, Hayward thinks maybe of selling brother down the RIVER. Wyatt plays Hayward’s suffering wife, who has an unrequited love subplot with Bowman. Hayward’s fantastic as he sheds layer after layer of humanity. Great direction from Lang.

Justice League: Crisis on Infinite Earths Part One (2024) D: Jeff Wamester. S: Matt Bomer, Jensen Ackles, Darren Criss, Meg Donnelly, Stana Katic, Jimmi Simpson, Zachary Quinto. Animated adaptation of foundational DC Comics crossover centers on the Flash (played by Bomer). If Bomer weren’t so bland, it’d be a bit better. But the way-too-cheap animation would still do it in. Still: Kevin Riepl’s music is good, and there is some solid logic to the plot structure. It’s all just badly executed.

Making Mr. Right (1987) D: Susan Seidelman. S: John Malkovich, Ann Magnuson, Glenne Headly, Ben Masters, Laurie Metcalf, Polly Bergen, Hart Bochner. After boyfriend (and star client) Masters disappoints, PR wunderkind Magnuson moves on to Malkovich’s space exploration android. Built in Malkovich’s image. The android quickly falls in love with Magnuson. Hijinks ensue, including with Headly as Magnuson’s best friend, and Metcalf as (the human) Malkovich’s “love” “interest.” Malkovich, Magnuson, and Headly are great. Often real funny, but third act misses.

Mute Witness (1995) D: Anthony Waller. S: Marina Zudina, Fay Ripley, Evan Richards, Igor Volkov, Sergei Karlenkov, Alec Guinness, Oleg Yankovskiy. Excellent thriller about gore FX artist Zudina witnessing a murder on set. She’s mute, which leads to some perilous situations (in addition to the general thriller perilous situations). Writer and director Waller’s got a great sense of humor. Zudina is outstanding, as is Yankovskiy–the only cop who believes her. Strong by the second act then keeps rising.

The Prime of Miss Jean Brodie (1969) D: Ronald Neame. S: Maggie Smith, Robert Stephens, Pamela Franklin, Celia Johnson, Gordon Jackson, Diane Grayson, Jane Carr. Fascinating, albeit patriarchal examination of early 1930s Edinburgh school teacher Smith. Her uncompromising, narcissism-fueled, self-imposed dedication to her girls threatens to turn her into Dr. Frankenstein. Watching Smith weave the character is always devastating. Neame makes some very good (and very bad) choices. The teen actors try hard but often come up short. Probably more Neame’s fault.

The Devil’s Hour (2022) s02e01 “DI Chambers” [2024] D: Johnny Allan. S: Jessica Raine, Peter Capaldi, Nikesh Patel, Benjamin Chivers. Given season one was a timey-wimey, multiverse of madness, it’s a little weird to see season two start with a straightforward detective procedural for Raine and Patel. Things do start getting strange and Capaldi does eventually figure in, but it takes almost the entire episode to even hint at what’s coming. We’ll see what comes.

The Devil’s Hour (2022) s02e02 “Red Lines” [2024] D: Johnny Allan. S: Jessica Raine, Peter Capaldi, Nikesh Patel, Benjamin Chivers. Profoundly confusing approach has Raine living in two realities, one a direct sequel to season one, the other a sequel to last episode. Except there’s a jump ahead in both universes to allow for cheap narrative reveals. It’s a bewildering episode, and still entirely unclear what the season is going to be doing. Capaldi’s delightful as ever, obviously.

The Devil’s Hour (2022) s02e03 “Something Beginning with D” [2024] D: Shaun James Grant. S: Jessica Raine, Peter Capaldi, Nikesh Patel, Benjamin Chivers. Turns out some of the drag this season has been Patel. He’s around but far less, barely with Raine, who does better without him. Though the show’s obviously missing the inciting incident for Raine’s “awakening” to the multiverse. Chivers all of a sudden has a subplot for it. Plus Capaldi gets to be charming, which is always nice.

The Devil’s Hour (2022) s02e04 “Far Away” [2024] D: Shaun James Grant. S: Jessica Raine, Peter Capaldi, Nikesh Patel, Benjamin Chivers. Some genuine surprises–and a nice arc for Patel–often because it doesn’t seem like they’ve only got one episode left. At first, it seems like they’re going to introduce an entirely new, important character, but it’s just a red herring. In other words, it could be messier with this very messy show. Can’t wait for the finale….

The Devil’s Hour (2022) s02e05 “Birth of a Tragedy” [2024] D: Johnny Allan. S: Jessica Raine, Peter Capaldi, Nikesh Patel, Benjamin Chivers. Outstanding finale manages to fit in the teensiest bits of series mythology (for the season one into two bingers) while delivering a fine thriller. In hindsight, it ends up being a rather thankless part for Raine, who got multiple character development arcs in circles. And Patel emerges practically the protagonist. Still very messy, but a worthwhile unravel.

FROM (2022) s03e05 “The Light of Day” [2024] D: Alexandra La Roche. S: Harold Perrineau, Catalina Sandino Moreno, Eion Bailey, David Alpay, Scott McCord, Ricky He, Chloe Van Landschoot. The townsfolk are confused why Moreno’s back (and why she didn’t bring help with her); they take it out on Perrineau. Then the episode becomes an object lesson on common sense and measured planning. Meanwhile, McCloud is trying to avoid guest star Robert Joy (his dad, come to town forty years late). Nothing really happens, but it’s fine FROM.

Only Murders in the Building (2021) s04e09 “Escape from Planet Klongo” [2024] D: Jamie Babbit. S: Steve Martin, Martin Short, Selena Gomez, Jane Lynch, Jin Ha, Molly Shannon, Paul Rudd. Penultimate–but doesn’t feel like it considering all the character development twists and turns in what was at one point a spoof of procedurals–episode features whiskey, A-list guest stars, and secrets. The trio has a series of eventually soulful awkward events, leading to a fantastic third act. Also turns out… Gomez might be playing a Pynchon protagonist.

Tulsa King (2022) s02e06 “Navigator” [2024] D: David Semel. S: Sylvester Stallone, Martin Starr, Jay Will, Max Casella, Vincent Piazza, Tatiana Zappardino, Garrett Hedlund. After threatening something finally happening maybe five times this episode, something finally happens at the cliffhanger. Sure, it’s a season and three episodes late or whatever, but something. Most of the episode involves Stallone sitting down with guest star Frank Grillo for mob talk. HEAT it ain’t. The rest is keeping the other subplots warm. Until the end, anyway.

What We Do in the Shadows (2019) s06e01 “The Return of Jerry” [2024] D: Kyle Newacheck. S: Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillén, Mark Proksch, Kristen Schaal, Michael Patrick O’Brien. SHADOWS kicks off its last season introducing a long lost resident of the house no one ever mentioned until now, played by O’Brien. After a reunion with the vampires, O’Brien starts wondering why they aren’t trying to conquer the world anymore. A reused season one plot. And Guillén has sort of moved out. Sadly, but unsurprisingly, just okay.

What We Do in the Shadows (2019) s06e02 “Headhunting” [2024] D: Kyle Newacheck. S: Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillén, Mark Proksch, Tim Heidecker, Andy Assaf. After promising a Berry and Proksch team-up, their plot way too quickly shuffles Berry off. It might be fine except the show’s doing a FRANKENSTEIN bit (who?), and so they’re making a monster. The monster’s not funny; sinks the episode. Demetriou and Novak messing with Guillén at his “day” job is more successful overall, just not initially hilarious.

Agatha All Along (2024) s01e02 “Circle Sewn with Fate / Unlock Thy Hidden Gate” D: Jac Schaeffer. S: Kathryn Hahn, Joe Locke, Sasheer Zamata, Ali Ahn, Patti LuPone, David Payton, Debra Jo Rupp. Oh, so the show’s going to be about a misfit coven of witches risking life and limb to get their magical powers back? In what feels like the actual pilot, Hahn and Locke form the coven, trying to outrace bad guys after Hahn. Hahn’s great, LuPone’s delightful, everyone’s solid plus. Maybe now the show will get started.

Agatha All Along (2024) s01e03 “Through Many Miles / Of Tricks and Trials” D: Rachel Goldberg. S: Kathryn Hahn, Joe Locke, Sasheer Zamata, Ali Ahn, Patti LuPone, Debra Jo Rupp. A strange episode–it’s not a good episode for Hahn; she’s the butt of the joke more often than not–but it’s a rather good episode. The rest of the coven–Zamata, Ahn, Lupone, Rupp–get one good showcase or another. Locke’s still support but growing. And it’s the easy best episode. Goldberg’s direction is excellent.

FROM (2022) s03e04 “There and Back Again” [2024] D: . S: Harold Perrineau, Catalina Sandino Moreno, Eion Bailey, David Alpay, Elizabeth Saunders, Scott McCord, Ricky He. While there are a couple surprises this episode–including a mythology one–it’s mostly just water treading. Moreno is almost back to town, but the normies won’t listen to her about the monsters. And, McCord’s decided it’s time to learn his origin story. Plus Perrineau is trying to do intel for his offensive. A few moments, but eh, padding.

Only Murders in the Building (2021) s04e07 “Valley of the Dolls” [2024] D: Robert Pulcini. S: Steve Martin, Martin Short, Selena Gomez, Michael Cyril Creighton, Zach Galifianakis, Eugene Levy, Eva Longoria. Fantastic episode has the trio hiding out in the burbs with guest star Melissa McCarthy. Gomez is trying to work on the case while Short is imploding his romance with Streep and Martin’s being obtuse. Great episode for Short, and McCarthy’s outstanding. The movie stars also get some solid “helping” material. And Creighton, of course. Real good stuff.

Only Murders in the Building (2021) s04e08 “Lifeboat” [2024] D: Robert Pulcini. S: Steve Martin, Martin Short, Selena Gomez, Zach Galifianakis, Eugene Levy, Eva Longoria, Richard Kind. Maybe the strongest “movie-themed” episode of the season, with guest star Griffin Dunne revealing the prime suspects’ origin stories. All while the actors crash the trio’s investigation, leading to some great classic Martin physical humor. And Galifianakis gets a strong subplot to work through. Funny but with more range. Dunne’s real good. Excellent cliffhanger. Darn good show.

Shrinking (2023) s02e01 “Jimmying” [2024] D: Randall Keenan Winston. S: Jason Segel, Jessica Williams, Luke Tennie, Lukita Maxwell, Christa Miller, Harrison Ford, Ted McGinley. Very season premiere season premiere sets up most of the regulars and recurring characters’ new plots. Everyone but Segel remains a delight while he saps the energy. Especially given where his season appears to be headed. Ford holds it all together effortlessly with Williams keeping things afloat on her side. It’s charming enough, just a tad mechanical.

Slow Horses (2022) s04e06 “Hello Goodbye” [2024] D: Adam Randall. S: Gary Oldman, Jack Lowden, Kristin Scott Thomas, Hugo Weaving, Jonathan Pryce, Saskia Reeves, Rosalind Eleazar. I was a dirty bird–HORSES is just fine. And by fine, excellent. Transcendent. Completely delivering on all its moves, even the exaggerated ones. Weaving is still terrible, however. Wonder why Tommy Lee Jones didn’t want to do it. Anyway. Stellar finish. It’s the action. It’s just so well executed. The timing is impeccable.

Tulsa King (2022) s02e05 “Tilting at Windmills” [2024] D: David Semel. S: Sylvester Stallone, Martin Starr, Jay Will, Max Casella, Tatiana Zappardino, Annabella Sciorra, Garrett Hedlund. It’s a truly bad episode in many parts, including Stallone complaining about the woke schools (in Oklahoma, sure, Jan). But there’s also bad Neal McDonough, resentfully bored Starr, and Will continuing to lack character. Sciorra has some fun, though. The big action sequence is awful, and not just because the accompanying song stinks. At least it’s a short episode.