And it’s a happy ending for everyone not looking at Domingues’s art. Seriously, it’s really bad. But the final issue has a lot of charm–even if the ending is too short and Cornell wastes the cast of The Wind and the Willows. Having Toad run around with Johnny Storm seems somehow perfect and Cornell only […]
MoreThe third issue has some very weak moments–oh, the Austen characters are from Sense and Sensibility–but it ends with the Fantastic Four all dead, shot by firing squad. Along with the little kid from Sense and Sensibility. So Cornell gets some respect for shooting a little kid. Even if it’s not shown on panel (Domingues […]
MoreWell, if it weren’t for Domingues, Cornell might really have something this issue. Cornell tasks Domingues with drawing various literary figures and he comes up with something out of a “Scooby Doo” cartoon. The artwork here does not cut it–Marvel should be embarrassed. Domingues’s style is unfinished (they should have given him an experienced inker […]
MoreI really wanted to love Fantastic Four: True Story, but Cornell just isn’t able to make it precious enough. The concept is somewhat complex–Sue is suffering from melancholy and discovers it has to do with not wanting to read fiction. It turns out the whole world is suffering from a similar melancholy (a major problem […]
MoreIt’s a question of competence. Incorruptible is incompetent. Finally someone realized Jean Diaz was making the bad book already worse and brought in Horacio Domingues, who’s much less “realistic” and a lot more cartoon-influenced and, well, at least it’s fun. Domingues’s artwork doesn’t fit the script at all and it’s just a great time, at […]
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