2000 AD 16 (11 June 1977)

144906 All in all, not a bad issue.

There’s actually danger in Dan Dare, for example, and a couple good pages in M.A.C.H. 1. A little makes a big difference with 2000 AD, apparently.

Invasion isn’t terrible. It’s mostly action, with Pino doing decent work on a shootout between the protagonist and a bounty hunter. Very busy pages, but competently done.

Flesh comes to what seems to be a shocking conclusion. Absolutely phenomenal art from Sola on a rampaging dinosaur, more than making up for the lame, big-headed human villain.

Even Harlem Heroes is okay (for it). There’s a team of ugly cyborgs the Heroes have to play. Not terrible.

Like I said, Dare has something new–Moore gives it an actually suspenseful cliffhanger. Plus recaps Dare’s origin.

Wagner writes both Dredd and M.A.C.H. 1, which probably explains why the latter’s so much better than usual. Dredd’s okay enough too.

CREDITS

Invasion, Bounty; writer, Gerry Finley-Day; artist, Carlos Pino; letterers, Peter Knight and J. Swain. Flesh, Book One, Part Sixteen; writer, Kelvin Gosnell; artist, Ramon Sola; letterer, Bill Nuttall. Harlem Heroes, Part Sixteen; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Dare, Hollow World, Part Five; writer, Steve Moore; artist, Massimo Belardinelli; letterers, Knight and John Aldrich. M.A.C.H. 1, Capitol; writer, John Wagner; artist, P. Martinez Henares; letterer, Aldrich. Judge Dredd, Robot Wars, Part Seven; writer, Wagner; artist, Ron Turner; letterer, Tony Jacob. Editor, Pat Mills; publisher, IPC.

2000 AD 15 (4 June 1977)

144905 It’s another weak issue.

Mike Dorey’s art is real lame on Invasion, but the writing’s worse. Finley-Day actually relies on a huge truck of acid to solve the problem.

Flesh is weak too; Sola’s art is distressingly underwhelming. It might just be too rushed–all the art this issue is rushed in some way or another–dinosaurs driving cars should be funny.

More Harlem Heroes. Tully explores the way ties are resolved in the game. It’s getter even harder to care about the fake sport.

Moore’s Dan Dare is really contrived. He does indicate, however, there might be an origin recap, which would be nice.

M.A.C.H. 1 has awful art from Marzal Canos. Peter Harris’s goofy story involves bloodthirsty yeti and a dope-dealing Dalai Lama.

Dredd, as usual, is the winner. Wagner’s got some funny stuff amid the robot rebellion. Sadly, McMahon is light on the robots’ details.

CREDITS

Invasion, The Doomsdale Scenario, Part Three; writer, Gerry Finley-Day; artist, Mike Dorey; letterer, Jack Aldrich. Flesh, Book One, Part Fifteen; writer, Kelvin Gosnell; artist, Ramon Sola; letterer, Bennsberg. Harlem Heroes, Part Fifteen; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Dare, Hollow World, Part Four; writer, Steve Moore; artist, Massimo Belardinelli; letterer, Peter Knight. M.A.C.H. 1, Yeti; writer, Peter Harris; artist, Marzal Canos; letterer, Tony Jacob. Judge Dredd, Robot Wars, Part Six; writer, John Wagner; artist, Mike McMahon; letterer, Jack Potter. Editor, Pat Mills; publisher, IPC.

2000 AD (1977) #14

2000 AD 14

Good grief it’s a bad one.

The only good story is the Dredd one. Wagner packs way too much action into its pages; even though Ian Gibson tries hard, he’s too rushed. But it’s still a solid story.

The Invasion story isn’t terrible, but it’s got a frantic pace too. And it’s dumb–the peaceful nuclear research planet is called Doomsdale. Not sure what, if anything, Finley-Day could have been thinking.

Flesh is awful. Boix’s art isn’t bad, but Gosnell’s writing is the pits.

For Harlem Heroes, Tully concentrates on the team turning around a game. It’s a combination of inane–comics aren’t the best medium for a sporting event–and incomprehensible. I guess Gibbons does okay.

Awful Dan Dare. Moore’s writing isn’t good anymore.

And M.A.C.H. 1… wow. Between Finley-Day’s racist characterizations of Chinese people and Kato’s ugly, busy artwork, it’s an ugly time.

Very bad issue.

2000 AD 14 (29 May 1977)

144904 Good grief it’s a bad one.

The only good story is the Dredd one. Wagner packs way too much action into its pages; even though Ian Gibson tries hard, he’s too rushed. But it’s still a solid story.

Flesh is awful. Boix’s art isn’t bad, but Gosnell’s writing is the pits.

Awful Dan Dare. Moore’s writing isn’t good anymore.

And M.A.C.H. 1… wow. Between Finley-Day’s racist characterizations of Chinese people and Kato’s ugly, busy artwork, it’s an ugly time.

Very bad issue.

CREDITS

Invasion, The Doomsdale Scenario, Part Two; writer, Gerry Finley-Day; artist, Carlos Pino; letterer, Jack Potter. Flesh, Book One, Part Fourteen; writer, Kelvin Gosnell; artist, Boix; letterer, John Aldrich. Harlem Heroes, Part Fourteen; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Dare, Hollow World, Part Three; writer, Steve Moore; artist, Massimo Belardinelli; letterers, Peter Knight and J. Swain. M.A.C.H. 1, Chinese Formula; writer, Finley-Day; artist, Kato; letterer, Aldrich. Judge Dredd, Robot Wars, Part Five; writer, John Wagner; artist, Ian Gibson; letterer, Potter. Editor, Pat Mills; publisher, IPC.

2000 AD 13 (21 May 1977)

144903 With a couple exceptions, it’s one of the better 2000 AD progs so far.

Invasion is decent; very nice art from Dorey and Finley-Day has learned how to plot out a rewarding cliffhanger.

A real surprise is Flesh. Without dinosaurs–this issue’s just future men against giant spiders–the comic is a lot better. Great art from Felix Carrion too.

Okay, Harlem Heroes is still lame. The Heroes are finally losing a game (against the Scots), but it doesn’t make the comic any more interesting.

And Steve Moore’s disappointing on his second Dan Dare outing. He spends way too much time with the villains and almost none with Dan Dare. If the villain pages were good, it’d be different, but they’re lame.

Jesus Redondo illustrates a fantastic M.A.C.H. 1. It’s all action and gorgeously done.

And Dredd is good. Wagner gets in some funny moments; Turner’s art’s passable too.

CREDITS

Invasion, The Doomsdale Scenario, Part One; writer, Gerry Finley-Day; artist, Mike Dorey; letterer, Jack Potter. Flesh, Book One, Part Thirteen; writer, Studio Giolitti; artist, Felix Carrion; letterer, J. Swain. Harlem Heroes, Part Thirteen; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Dare, Hollow World, Part Two; writer, Steve Moore; artist, Massimo Belardinelli; letterer, Bill Nuttall. M.A.C.H. 1, Airship; writer, Nick Allen; artist, Jesus Redondo; letterer, Potter. Judge Dredd, Robot Wars, Part Four; writer, John Wagner; artist, Ron Turner; letterer, Potter. Editor, Pat Mills; publisher, IPC.

2000 AD 12 (14 May 1977)

144902 Carlos Pino does the art on Invasion. He does pretty well, though Finley-Day’s script has all these analogues to the Nazis. It seems inappropriate and somewhat insensitive.

Flesh has good Sola art and a lame script, as usual, from Gosnell. They should’ve just done it without dialogue. Gosnell even manages to butcher pop culture references.

Harlem Heroes covers the origin of the sport–it’s Scottish. The script’s probably the most imaginative in many progs; it’s still not good.

Steve Moore takes over writing Dan Dare. It’s much better. Dare goes to the future London (a floating theme park) and meets a wolf man. Easily the best Dare so far.

M.A.C.H. 1–from Charles Herring and Mike Dorey–is similarly not terrible. It’s anti-American bluster and very silly, but okay.

Dredd has some goofy dialogue from Wagner, but McMahon illustrates a robot rebellion well. The giant robots are awesome.

CREDITS

Invasion, Death Line; writer, Gerry Finley-Day; artist, Carlos Pino; letterer, Jack Potter. Flesh, Book One, Part Twelve; writer, Kelvin Gosnell; artist, Ramon Sola; letterer, Potter. Harlem Heroes, Part Twelve; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Dare, Hollow World, Part One; writer, Steve Moore; artist, Massimo Belardinelli; letterer, Peter Knight. M.A.C.H. 1, The Laser Hound; writer, Charles Herring; artist, Mike Dorey; letterer, J. Swain. Judge Dredd, Robot Wars, Part Three; writer, John Wagner; artist, Mike McMahon; letterer, Jack Potter. Editor, Pat Mills; publisher, IPC.

2000 AD 10 (30 April 1977)

144900 Overall, it’s not a terrible issue. Nothing really stands out as good or bad. The first half of the Dan Dare is okay even–Belardinelli really does do a lot better with space battles than anything else.

The Invasion entry has decent art from Eric Bradbury and a nice reveal at the end. Finley-Day’s dialogue’s moronic, but it’s always moronic.

Studio Giolitti does a little better on the Flesh writing. Boix continues to draw dinosaurs rampaging well. The Harlem Heroes has a great panel or two from Gibbons. Again, dumb but not terrible–the story’s plotted okay.

M.A.C.H. 1 rips off some Bond moments as the protagonist hunts a fugitive. Mills does better with the action than the quiet epilogue.

And then there’s Dredd. Good art from Ezquerra helps things a lot. Wagner writes weak dialogue and the end’s way too heavy handed. Otherwise, nearly okay.

CREDITS

Invasion, Dartmoor, Part One; writer, Gerry Finley-Day; artist, Eric Bradbury; letterer, John Aldrich. Flesh, Book One, Part Ten; writer, Studio Giolitti; artist, Boix; letterer, Aldrich. Harlem Heroes, Part Ten; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Dare, Part Ten; writer, Kelvin Gosnell; artist, Massimo Belardinelli; letterers, Jack Potter and Peter Knight. M.A.C.H. 1, On the Roof of the World; writer, Pat Mills; artist, Enio; letterer, Tony Jacob. Judge Dredd, Robot Wars, Part One; writer, John Wagner; artist, Carlos Ezquerra; letterer, Aldrich. Publisher, IPC.

2000 AD 9 (23 April 1977)

144899 What a stinker of an issue. I think the M.A.C.H. 1 might actually be the second best story, which is sort of unbelievable.

It opens with a tepid Invasion. Not terrible, but not very good. Carlos Pino’s art is decent. Then a poorly written Flesh about family vacations through time. Studio Giolitti’s writing (whoever it is) is atrocious. Boix’s art isn’t bad though.

Awful Harlem Heroes. Tully can’t pace it for four pages. I guess Gibbons does draw a cool evil cyborg but he wastes a page on the cyborg’s reveal.

The Dan Dare is bad and visually confusing. Belardinelli is stuck drawing epic space battles in tiny panels; writer Gosnell doesn’t seem to understand what psychic means.

The aforementioned M.A.C.H. 1 has decent Cooper art. It’s dumb, but not bad.

The Dredd is crud. John Wagner front loads it with robot-related morality and doesn’t deliver any good action.

CREDITS

Invasion, Ships; writer, Gerry Finley-Day; artist, Carlos Pino; letterer, Jack Potter. Flesh, Book One, Part Nine; writer, Studio Giolitti; artist, Boix; letterer, S. Richardson. Harlem Heroes, Part Nine; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Dare, Part Nine; writer, Kelvin Gosnell; artist, Massimo Belardinelli; letterers, Potter and Peter Knight. M.A.C.H. 1, Our Man in Turkostan; writer, John Wagner; artist, John Cooper; letterer, Tony Jacob. Judge Dredd, Robots; writer, Wagner; artist, Ron Turner; letterer, John Aldrich. Publisher, IPC.

2000 AD 8 (16 April 1977)

144898 Harlem Heroes takes place in a world with a Mega City-One. That one detail is more diverting than anything else in this issue’s entry, except maybe how Gibbons draws the Russian players. They’re giant bear furries. They’ve been so attired a while now, I just hadn’t bothered to comment.

The Invasion story isn’t bad. Finley-Day doesn’t really do any character or plot development and his last pages are always hurried.

Flesh, with new artist Boix, is dumb but not too bad. Apparently none of the characters outside Invasion or Dredd make any sense in 2000 AD.

The issue also has less loathsome Dan Dare and M.A.C.H. 1 entries. Dare because it moves too fast to leave an impression but John Cooper’s art on M.A.C.H. is decent. Rough but competent.

Belardinelli, who does so bad on Dare, does a decent job on Dredd.

CREDITS

Invasion, Concorde; writer, Gerry Finley-Day; artist, Mike Dorey; letterer, Jack Potter. Flesh, Book One, Part Eight; writer, Ken Armstrong; artist, Boix; letterer, Potter. Harlem Heroes, Part Eight; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Dare, Part Eight; writer, Kelvin Gosnell; artist, Massimo Belardinelli; letterer, Potter. M.A.C.H. 1, Spain Kidnap; writer, Nick Allen; artist, John Cooper; letterer, Bill Nuttall. Judge Dredd, Antique Car Heist; writer, Charles Herring; artist, Belardinelli; letterer, Tony Jacob. Publisher, IPC.

2000 AD 6 (2 April 1977)

144896 More hard going this issue, even though the art’s much better overall.

Invasion has decent Ian Kennedy art and a not bad idea from Finley-Day, his execution is just weak. He doesn’t plot it for his page count.

Sola does a small dinosaur versus cowboy battle in Flesh. Not a lot of opportunity for the art, but it’s competent. Story’s lame though.

Harlem Heroes is rushed and trying. I keep waiting for Gibbons to impress me on this one and he never really does.

Dan Dare is awful. Mike Dorey’s art on M.A.C.H. 1 helps the story a lot. Much like Invasion this issue, Mills just paces the M.A.C.H. story all wrong.

As usual, Dredd proves the best. Malcolm Shaw has a good finish for the story–nice little moments throughout too–and McMahon has some nice panels. He’s appropriately conveying the humor.

CREDITS

Invasion, Wembley; writer, Gerry Finley-Day; artist, Ian Kennedy; letterer, Bill Nuttall. Flesh, Book One, Part Six; writer, Kelvin Gosnell; artist, Ramon Sola; letterer, Jack Potter. Harlem Heroes, Part Six; writer, Tom Tully; artist and letterer, Dave Gibbons. Dan Six, Part Three; writer, Gosnell; artist, Massimo Belardinelli; letterer, Potter. M.A.C.H. 1, Himmler’s Gold; writer, Pat Mills; artist, Mike Dorey; letterer, Potter. Judge Dredd, Frankenstein II; writer, Malcolm Shaw; artist, Mike McMahon; letterer, Tony Jacob. Publisher, IPC.