Burt Ward is really bad in Batman: The Movie. Sure, he’s just around to parrot Adam West, who’s a horny, kind of dumb, know-it-all. The problem is it doesn’t seem like anyone else is in on the joke because director Martinson does such a bad job. There are some okay scenes in Lorenzo Semple Jr.’s script–none for West and Ward but, they’re still okay scenes. And Martinson screws them up. Yes, Howard Schwartz’s cinematography is bland but why bother with anything given Martinson never does anything.
Until the big fight scene at the end. The big fight scene at the end has the potential to be a farcical masterpiece. It could even be one subtly. But Martinson. And editor Harry W. Gerstad. He cuts the action too long; it gives more time to the actors, which they don’t need given the scale of the action. It’s too bad. Some gem in Batman: The Movie would be nice to find.
At best, the film has an amusing moment for Alan Napier (as Alfred), who apparently wants to perve on West romancing Lee Meriwether and Ward has to shut it down. Ward’s Robin is an obnoxious little yes boy, spouting off stupid ideas. It’s like West isn’t even letting Ward in on the joke.
Meriwether’s Catwoman is bad. She’s kind of likable, but only because West’s such a dumb horny guy around her and she gets it. So she’s in on the joke. But she’s not good at all.
Burgess Meredith has some moments. Less than if Martinson and Gerstad cut his close-ups better. The composition is a mess. Martinson’s framing for The Movie is way too much like a TV show (shocker) and it needs to be more open. Just enough for headroom in some cases.
Frank Gorshin’s okay. You know, he’s okay. He’s weird. It works. A lot better than Cesar Romero’s Cowardly Lion Joker character. But Romero’s kind of likable. You feel a little bad for him. You don’t feel bad for the scenes of West and Ward acting like clowns. Batman: The Movie is most engaging when the lack of awareness about the absurdity–the complete lack of verisimilitude, if you would–makes it an unbearable experience.
And what’s up with the music? Nelson Riddle has some pretty decent music and then some awful music. It’s a toss-up. It’s probably the best thing about the movie–except the opening titles. They’re actually pretty darn cool.