Vince Locke

The Unwritten 33.5 (March 2012)

This issue’s exceedingly good. These .5 issues really do give Carey the ability to show off his talent; even though they relate to the main series, they don’t rely upon it fully. This issue’s about a soldier stationed at a great estate in the eighteenth century. The story eventually ties into the regular Unwritten world, […]

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The Unwritten 30 (December 2011)

Carey’s resolution is unexpected. It’s sort of celebratory and life affirming (and shows he and Gross could easily spin-off titles from Unwritten) but it also has the series’s first big fight scene in a while. And it’s a comic book fight scene. While all the detours into literature (Dickens, Moby-Dick), one doesn’t often think of […]

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The Unwritten 29 (November 2011)

Carey sort of sidesteps the maximum tragedy to keep the narrative more interesting. It requires him to bring in a new character and pretend he’s been there for an issue… it’s an unfortunate oversight in an issue already riddled with problems. It’s still a good issue, of course. But the scenes are unbelievably repetitive. Tom’s […]

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The Unwritten 28 (October 2011)

Not a happy issue. Not one bit. Carey is forecasting an inevitable, devastating turn of events in his flashbacks. He’s really turning the screws too, as Tom’s dad meets a woman and, in an extreme Romeo and Juliet fashion, is going to have to kill her. Besides the bad guys killing all the people Tom […]

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The Unwritten 27 (September 2011)

Carey packs this issue. Maybe not with content–there’s a lot of conversation, then some extraneous stuff in a flashback (Vince Locke nicely inks Gross for those pages)–but with atmosphere. This kind of issue endears a series to the reader and Carey’s able to do it without forcing. The issue also opens with a muted “Wire” […]

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