The Unwritten

The Unwritten 35.5 (May 2012)

Interesting, now Carey’s using the final .5 issue to set up something else forthcoming. He introduces the reader–for the first time–to a peon in the Cabal. The protagonist this issue, Danny, is a thoroughly underwhelming English major who ends up working in the big reading room for the Cabal. Lots of the big events in […]

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The Unwritten 35 (May 2012)

Maybe Tom seems like an action hero because of his outfit. He’s got suspenders for some reason, looking a little like Bullitt. It’s a Tom and Pullman issue. There’s some action, but there’s mostly just Pullman messing with Tom. Pullman–and Carey–promise some great revelation, but it’s unclear how much of it Pullman is just keeping […]

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The Unwritten 34.5 (April 2012)

The issue reads a little like “Wilson Taylor: Year One.” Gross and Carey give him a decent origin story, set in the trenches of World War I. Carey concentrates on the soldiers’ experience, hitting all the effective standards, but making them tie into Unwritten. Actually, the questions he raises about stories, perceptions and reality during […]

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The Unwritten 34 (April 2012)

Perker’s finishes over Gross lead to a somewhat different look for the book. Besides Tom looking more like an action movie star than a twenty-something, there are some weird panel transitions. It’s not bad art, it just doesn’t feel like Unwritten at times. It’s a combination of an action issue and a revelation one. The […]

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The Unwritten 33.5 (March 2012)

This issue’s exceedingly good. These .5 issues really do give Carey the ability to show off his talent; even though they relate to the main series, they don’t rely upon it fully. This issue’s about a soldier stationed at a great estate in the eighteenth century. The story eventually ties into the regular Unwritten world, […]

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The Unwritten 33 (March 2012)

Something’s off about the art this issue. I can’t tell if it’s Gross or Perker, but something’s definitely off. Tom looks like a bland underwear model. This issue features Tom’s assault on the Cabal. Lizzie and Richie both tell him he’s going too fast, which is also advice for Carey. There’s quick montage of Tom […]

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The Unwritten 32.5 (February 2012)

It’s more from the adventures of young Pullman. I was wondering if it would turn out to be him and it does. Not sure if it’s supposed to be a surprise–Dean Ormston, who “finishes” (which looks like all the art), doesn’t draw the traditional Pullman. He’s a lot dirtier here. Given the story takes place […]

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The Unwritten 32 (February 2012)

I’m perplexed. Pullman does something bad, but I can’t figure out what he’s done or why it will put Tommy and the gang in danger. What’s incredibly frustrating is Carey spends about half the issue with Pullman talking about what he’s going to do; I thought I’d understand it once he got to it… but […]

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The Unwritten 31.5 (January 2012)

Carey–with plotting assistance from Gross–internally spins off Unwritten with these .5s. I’m guessing, anyway; this one is my first .5. Carey uses Wilson Taylor’s journals investigating the Cabal’s history. Michael Kaluta handles the art on the first story, regarding Pullman silencing some monks in ancient China. It’s a decent story with a good twist at […]

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The Unwritten 31 (January 2012)

Frankenstein’s Monster does join the gang, but he doesn’t really do anything. He’s muscle, without a lot of dialogue; it’s too bad. This issue features Tom wielding the magic, Lizzie and Richie freaking out and a lot of action. Carey and Gross and M.K. Perker (who finishes) do a great job with the changing genres. […]

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The Unwritten 30 (December 2011)

Carey’s resolution is unexpected. It’s sort of celebratory and life affirming (and shows he and Gross could easily spin-off titles from Unwritten) but it also has the series’s first big fight scene in a while. And it’s a comic book fight scene. While all the detours into literature (Dickens, Moby-Dick), one doesn’t often think of […]

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The Unwritten 29 (November 2011)

Carey sort of sidesteps the maximum tragedy to keep the narrative more interesting. It requires him to bring in a new character and pretend he’s been there for an issue… it’s an unfortunate oversight in an issue already riddled with problems. It’s still a good issue, of course. But the scenes are unbelievably repetitive. Tom’s […]

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The Unwritten 28 (October 2011)

Not a happy issue. Not one bit. Carey is forecasting an inevitable, devastating turn of events in his flashbacks. He’s really turning the screws too, as Tom’s dad meets a woman and, in an extreme Romeo and Juliet fashion, is going to have to kill her. Besides the bad guys killing all the people Tom […]

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The Unwritten 27 (September 2011)

Carey packs this issue. Maybe not with content–there’s a lot of conversation, then some extraneous stuff in a flashback (Vince Locke nicely inks Gross for those pages)–but with atmosphere. This kind of issue endears a series to the reader and Carey’s able to do it without forcing. The issue also opens with a muted “Wire” […]

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The Unwritten 26 (August 2011)

Carey manages to be predictable and not. This issue closes off a two-parter and opens up something else… it’s not clear what yet, but definitely something. There’s a lot more action than I expect from Unwritten, maybe because it’s the regular action–guns, guys in body armor and ski masks. Gross handles it all fine. There’s […]

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The Unwritten 25 (July 2011)

Creepy business abound this issue. Well, not really. It’s implied at the end. Along with some more backstory into Tommy’s childhood, which Mike Carey has a lot of fun teasing. The issue opens with Lizzie and Savoy on a what appears to be a comical mission (and stays one until the end) before Tommy appears. […]

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