Dark Horse Presents (1986) #100-5

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Only in Dark Horse Presents can you open with Art Adams and close with Paul Pope.

The Adams Monkeyman and O’Brien story appears to be some kind of homage to Plan 9 from Outer Space. So maybe Adams’s terrible dialogue is in line with that approach. Regardless, it’s fairly awful.

Then Hernandez has an utterly fantastic story about a bunch of carnies reunited. It opens with one thing, moves somewhere else. It’s just great. Second story in and they’ve already made up for Adams and set the issue apart in terms of quality.

Hedden’s Frankenstein, P.I. is well-drawn and mildly amusing.

Oh, then there’s a Milk and Cheese from Dorkin mocking alcoholism. If these strips were only a page, they might be a little less putrid.

Pope (with Smith) closes with a THB. It’s beautiful looking, but even more–Pope finds a profound moment in his action. Just great.

Dark Horse Presents 100 5 (August 1995)

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Only in Dark Horse Presents can you open with Art Adams and close with Paul Pope.

The Adams Monkeyman and O’Brien story appears to be some kind of homage to Plan 9 from Outer Space. So maybe Adams’s terrible dialogue is in line with that approach. Regardless, it’s fairly awful.

Then Hernandez has an utterly fantastic story about a bunch of carnies reunited. It opens with one thing, moves somewhere else. It’s just great. Second story in and they’ve already made up for Adams and set the issue apart in terms of quality.

Hedden’s Frankenstein, P.I. is well-drawn and mildly amusing.

Oh, then there’s a Milk and Cheese from Dorkin mocking alcoholism. If these strips were only a page, they might be a little less putrid.

Pope (with Smith) closes with a THB. It’s beautiful looking, but even more–Pope finds a profound moment in his action. Just great.

CREDITS

Monkeyman & O’Brien, I Was the Alien; story and art by Art Adams; lettering by Lois Buhalis. Los Malcriados; story and art by Mario Hernandez. Frankenstein, P.I., Butcher’s Night Out!; story by Rich Hedden; art by Hedden and Mike McPhillips. Milk and Cheese, Alcoholics Unanimous!; story and art by Evan Dorkin. Panfried Girl; story and art by Paul Pope and Jeff Smith; lettering by Lorie Witte. Edited by Bob Schreck and Scott Allie.

Dark Horse Presents (1986) #100-1

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Where to start….

Miller opens the issue with sort of a “ha ha, you can’t say it’s misogynistic because it’s intentional” Lance Blastoff! story. Killing dinosaurs, eating meat, those are the things women really need whether they know it or not. The writing’s crap—no shock—but Miller at least draws the dinosaurs.

Bennett and Guinan’s Heartbreakers returns after fifty issues and is no less boring. Sometimes it veers towards interesting territory, but it’s setup for more adventures. Bennett and Guinan avoid the human factor in the new ground situation. Art’s decent.

Pekar and Sacco’s thing is, besides being pointless, fine.

French’s Ninth Gland is really weird. It might be something good, it might not. Too soon to tell.

Lewis has a cute, foul-mouthed animal cartoon strip. Until the Dorkin piece, it’s the most annoying thing in the comic.

As for Dorkin’s Milk and Cheese? I don’t get it.

Dark Horse Presents 100 1 (August 1995)

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Where to start….

Miller opens the issue with sort of a “ha ha, you can’t say it’s misogynistic because it’s intentional” Lance Blastoff! story. Killing dinosaurs, eating meat, those are the things women really need whether they know it or not. The writing’s crap—no shock—but Miller at least draws the dinosaurs.

Bennett and Guinan’s Heartbreakers returns after fifty issues and is no less boring. Sometimes it veers towards interesting territory, but it’s setup for more adventures. Bennett and Guinan avoid the human factor in the new ground situation. Art’s decent.

Pekar and Sacco’s thing is, besides being pointless, fine.

French’s Ninth Gland is really weird. It might be something good, it might not. Too soon to tell.

Lewis has a cute, foul-mouthed animal cartoon strip. Until the Dorkin piece, it’s the most annoying thing in the comic.

As for Dorkin’s Milk and Cheese? I don’t get it.

CREDITS

Lance Blastoff!; story and art by Frank Miller. Heartbreakers, Destination: Earth; story by Anina Bennett and Paul Guinan; art by Guinan and Todd Herman; lettering by Willie Schubert. Peeling and Eating a Tangerine (and Disposing of the Seeds); story by Harvey Pekar; art and lettering by Joe Sacco. The Ninth Gland, Part One; story and art by Renée French. Aboard the Drinking Leviathan; story and art by Jon Lewis. Milk and Cheese, The Devil Made Them Do It!; story, art and lettering by Evan Dorkin. Edited by Bob Schreck and Scott Allie.

Beasts of Burden (2009) #4

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Compared to the previous three issues, the series ends on a weak note. It’s still awesome and all, but it’s a kinda cliffhanger and kinda cliffhangers are damned annoying when it comes to limited series. The letters column even opens with talk about another series, instead of giving this one any kind of closure. In fact, it raises even more issues, with the ostensible team leader (Ace) showing a murderous streak (he, possessed, helped kill the young Republican in issue two).

It’s a dark issue, with the Burden Hill Beasts (their team name, which I missed completely–it’s never used in the actual issues) fighting a resurrected human. It ties into the second issue and the third issue, not just their mysteries but also picking up the thread of the kitties in love from issue three, only from the disapproving canine perspective.

Great stuff; just wish it was an ongoing.

Beasts of Burden (2009) #3

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As a rat owner, I’m horrified Dorkin uses them as these master villains, the animal kingdom’s equivalent of Al Queda or something; however, as a reader, I have to admit, it’s a darn good book–though I’m not sure I like getting done with it without the mystery being solved.

This issue’s a romance issue, at least it turns into one and it’s a fine romance issue. The issue starts like a–well, it feels almost like Tom Sawyer, just because it’s all these distinct characters in a suburban setting, but it’s also a lot like Lady and the Tramp (for the same reason)–it ends like an old detective movie, with the happy couple in the moonlight.

Dorkin and Thompson should be very proud of themselves (and Dark Horse should be paying them very well); this series is easily the best thing I’ve read from Dark Horse in years.

Beasts of Burden (2009) #2

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I certainly hope no one ever sells this issue to a kid. It’s–wow. Let’s see. It’s about a dog with two missing puppies. The team (do they have a team name?) investigates and ends up in the forest where they try calling the puppies spirits. That attempt works, but has the unintended side effect of loosing all these other spirits (of dead animals) who the team tries to protect themselves against.

Except the team members who are possessed by some of the spirits and run off and kill the teenage boy who’s been killing cats and dogs and dumping them out in this pond.

So you’ve got murder, vengeance, then the possessed team members (once unpossessed) filled with guilt and the other team members all messed up because they should have tried the spell in the first place.

It’s a heavy, heavy read.

Real glad I bought this series.

Beasts of Burden (2009) #1

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Here’s an idea: dogs and cats who fight the supernatural (animals). It sounds Disney on paper, but the execution of Beasts of Burden has a lot of darkness and a lot of oomph. Dorkin’s killing off animals left and right here; admittedly, they’re all off-panel deaths (at least of the cute animals), but the survivors describe what’s happened in detail.

Jill Thompson’s art somehow makes everything–whether it’s an easy subject like a pug or a cat–or a more difficult one like a demonic toad–look adorable. It’s painted art, so there’s this definite “Dogs Playing Poker” thing going on.

There’s some uphill resistance when getting into this first issue as there are previous adventures in some Dark Horse anthologies (something I didn’t know as I picked up the comic to read). Dorkin does a good job of filling in the new reader through dialogue.

Adorable, if hardcore.