Harvey Pekar

Dark Horse Presents 104 (December 1995)

Musgove and Chamberlin have a Helen Keller joke in this installment of The Pink Tornado, presumably because they thought it makes them edgy. They’re really just incredibly stupid and rather terrible writers. Their dialogue’s endless and their art’s bad. As for Niles’s Cal McDonald, it’s fine. I mean, it’s bad, but it’s Jones’s fault. Niles […]

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Dark Horse Presents 102 (October 1995)

Shockingly, the Niles story story this issue–one of his Cal McDonald ones–is mildly inoffensive. It’s poorly written detective narration, but at least he’s work in a recognized genre (badly written detective narration). It’s stupid and Casey Jones’s art isn’t any good… but it’s not intolerable. Oh, the Marz and Wrightson Aliens story ends this issue […]

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Dark Horse Presents 100 4 (August 1995)

I guess Dave Gibbons had no quibbles about Frank Miller ripping off Watchmen for their Martha Washington story this issue. Nice art, bad writing. Forney’s got an anecdote about meeting Tom Waits. It has some charm, but not enough to sustain it. Then Geary’s back with a one page strip, as are Pekar and Sacco. […]

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Dark Horse Presents 100 3 (August 1995)

The Concrete story goes on forever, but it’s actually pretty funny how it turns out. Not funny enough to laugh at, but Chadwick definitely comes up with something amusing. Oh, I’ll just spoil it–a mom and son pull a long con on Concrete for something he did back in his first appearance. Decent art, nothing […]

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Dark Horse Presents 100 1 (August 1995)

Where to start…. Miller opens the issue with sort of a “ha ha, you can’t say it’s misogynistic because it’s intentional” Lance Blastoff! story. Killing dinosaurs, eating meat, those are the things women really need whether they know it or not. The writing’s crap—no shock—but Miller at least draws the dinosaurs. Bennett and Guinan’s Heartbreakers […]

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Dark Horse Presents 99 (June 1995)

Campbell finishes Doreen Grey here and it’s an awkward installment. It’s almost like he would have been better not resolving things. He’s got a lot of expositional dialogue here from the Eyeball Kid and it really just doesn’t work. It’s maybe his least successful Presents entry and story (the story gradually getting weaker over time). […]

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