Tag Archives: Michelle Rodriguez

The Fate of the Furious (2017, F. Gary Gray)

What is the Fate of the Furious? It’s unclear screenwriter Chris Morgan knows–it comes up in the script a little–but it’s a needless portent. The Fate is the cast sitting around listening to Vin Diesel talk about family after they’ve gone through high action and zero character development. Just because they’re all millionaires after one of the sequels doesn’t mean they can’t still have some good old-fashioned wholesome (and no longer goofily ironic) backyard cookout complete with grace. Because Diesel’s just got to get the positive religiosity into Fate of the Furious.

Which really should’ve been called F8 of the Furious or something. Because a movie where two guys flying around with jetpacks not raising any eyebrows needs a much more entertaining title. Fate of the Furious sounds serious and severe, things Fate gives up on relativity early on. The PG–13 rating might have something to do with it. It’s a little toothless.

So after a misfiring first act, which has Diesel going bad because Charlize Theron is blackmailing him, Fate gets a lot better. While Diesel is running Theron’s super villain errands–she’s a super hacker who lives off the grid because she has a private stealth jet–the Furious regulars get a chance to bond. And it works out. Though not as well as when the Rock buddies up with previous entry villain Jason Statham. Lots of likable trash talk. Fate might be the best Dwayne Johnson performance I’ve seen–apparently he just needs a subplot. And Johnson’s subplot in Fate is one of the film’s handful of laugh out loud funny moments. The character stuff is about the only thing director Gray doesn’t have to reign in, so he indulges the actors to good effect.

Even Michelle Rodriguez; she starts the movie terrible and ends up being not annoying. But maybe she gets some sympathy because even if Diesel has his reasons for betraying the team, Morgan’s script gives him a lot of other really awful gestures towards Rodriguez separate from the A plot. In way too many ways, the film picks on Rodriguez. Not for comic relief, just a dramatic drain. Though without taking any responsibility for it; Gray’s busy and Morgan doesn’t care.

After a couple awkward action sequences–one at night, one apparently an attempt at doing more CGI cars than, you know, Pixar’s Cars–Gray gets a better tone. The action gets immediately better once Diesel’s plot has its reveals, which Diesel already knew about just not the audience; it’s just Morgan trying to get drama out of deception. Because once it becomes clear Theron is just a lame Bond villain, Fate becomes a somewhat exaggerated, often comedic Bond movie. Or at least it has the set pieces of a Bond movie, only with the Furious crew running through it. And Gray does a lot better with actors than with CG.

Though Gray doesn’t seem to give the actors much direction, because someone should’ve begged Theron to show some enthusiasm for the role. She sleepwalks through the villain part, embracingly the ludicrous nature of the film instead of immersing herself. And whoever though the dreadlocks were a good idea was wrong. All of her hi-tech gang looks like mid-nineties Eurotrash villains.

So she’s awful, but she’s not really important. Diesel ends up taking the villain slot of the narrative and he’s fine in it. Since he’s constantly deceiving the audience and his costars, he doesn’t really have much to do. Just look sad, stoic, bored. It’s more bravado than performance. And thanks to Gray, it’s effective bravado. Gray might not be able to make those Theron scenes work, but he and editors Christian Wagner and Paul Rubell definitely know how to cut for sympathy.

Statham’s good. He’s fun. Rock’s fine. He’s fun too. Ludacris has his moments but his character’s weak. Same goes for Tyrese Gibson but more so; he’s initially exceptionally annoying, then Scott Eastwood starts hanging out and they bicker. It forces them to have personality, something Eastwood probably wouldn’t have otherwise. He’s Kurt Russell’s sidekick. Kurt Russell is playing a slightly less absurd than an “All My Children” super spy.

Nathalie Emmanuel seems like she should be in a much better movie. Her part’s thin–though everyone’s part is pretty thin–but she manages to make her absurd scenes and silly dialogue seem, if not believable, at least worth suspending disbelief over.

One thing about Fate is it’s real dumb as far as action set piece believability goes. Morgan comes up with this risible technology reasonings and then the special effects crew takes over. And Gray coordinates it all very well. He manages it all very well. The most impressive thing about Fate is how successful it works out given its craven lack of ambition.

And the two minutes of a foul-mouthed (well, for PG–13) and uncredited Helen Mirren help a lot.

1/4

CREDITS

Directed by F. Gary Gray; screenplay by Chris Morgan, based on characters created by Gary Scott Thompson; director of photography, Stephen F. Windon; edited by Paul Rubell and Christian Wagner; music by Brian Tyler; production designer, Bill Brzeski; produced by Vin Diesel, Neal H. Moritz, Michael Fottrell, and Morgan; released by Universal Pictures.

Starring Vin Diesel (Dom), Charlize Theron (Cipher), Dwayne Johnson (Hobbs), Jason Statham (Deckard), Michelle Rodriguez (Letty), Tyrese Gibson (Roman), Ludacris (Tej), Nathalie Emmanuel (Ramsey), Scott Eastwood (Little Nobody), Kristofer Hivju (Rhodes), Celestino Cornielle (Raldo), and Kurt Russell (Mr. Nobody).


RELATED

Advertisements

Furious 7 (2015, James Wan)

Furious 7 has some really bad CGI. And I’m not talking about the creepy Paul Walker head at the end (during the utterly out of place and terribly integrated memorial sequence). It’s everything. Director Wan doesn’t know how to shoot a single scene in Furious, not the action scenes, definitely not the car scenes, even more not the fight scenes. No one–not Wan, not his four editors, not his two photographers–cares about making the action work in Furious. The CGI doesn’t improve it or solve a physically impractical problem. It’s just the easiest way to do it. Cheap CGI.

Of course, cheap is the keyword for Furious. Screenwriter Chris Morgan has only a handful of scenes not directly related to Kurt Russell (cashing a paycheck as a CIA agent) hiring Vin Diesel and company; those scenes are desperately melodramatic, either involving Michelle Rodriguez’s memory loss, Jordana Brewster not wanting to henpeck Paul Walker too much or… no, I think those two subplots are it.

Even Jason Statham hunting down Diesel, Walker and everyone else is underused. Once Morgan and Wan establish Statham, he just shows up in every action sequence to wreck havoc. What could have been anarchy working through the movie is instead a painfully bad performance from Statham.

Really terrible supporting performances from John Brotherton, Tony Jaa and Djimon Hounsou.

Wan’s a bad director; he sinks Furious. The movie is absurdly mercenary. No imagination went into anything. Except maybe the cars and Wan can’t shoot those.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by James Wan; screenplay by Chris Morgan, based on characters created by Gary Scott Thompson; directors of photography, Marc Spicer and Stephen F. Windon; edited by Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri and Christian Wagner; music by Brian Tyler; production designer, Bill Brzeski; produced by Neal H. Moritz, Vin Diesel and Michael Fottrell; released by Universal Pictures.

Starring Vin Diesel (Dominic Toretto), Paul Walker (Brian O’Conner), Jason Statham (Deckard Shaw), Michelle Rodriguez (Letty), Jordana Brewster (Mia), Tyrese Gibson (Roman), Ludacris (Tej), Dwayne Johnson (Hobbs), Nathalie Emmanuel (Ramsey), John Brotherton (Sheppard), Tony Jaa (Kiet), Djimon Hounsou (Jakande), Ronda Rousey (Kara), Elsa Pataky (Elena), Lucas Black (Sean Boswell) and Kurt Russell (Mr. Nobody).


RELATED

Fast & Furious 6 (2013, Justin Lin), the extended version

For the most part, Fast & Furious 6 is a delightfully absurd action concoction from director Lin. The film drops the Fast and the Furious “family” into a James Bond movie; thank goodness, because it’s hard to imagine Roger Moore able to outdrive the bad guys here. And it’s even set in London (and later Spain). It’s not original, but screenwriter Chris Morgan does fold familiar action movie plot lines into a new situation. Lin’s making a non-fantasy (just absurd), non-realistic action extravaganza. It has to be seen to be believed.

But then there’s how much time is spent on Vin Diesel courting Michelle Rodriguez (she’s back from the dead, with amnesia–apparently Morgan doesn’t just like to lift from Empire Strikes Back, he likes to lift from “Days of Our Lives” too) and Lin handles it pretty well. Some of it. One spinning conversation is terrible, but the car race immediately proceeding it is fantastic work.

The thing about Furious 6 is Lin and photographer Stephen F. Windon do create breathtaking car race and car chase shots; they’re in the quickly edited sequences, but clearly done with deliberate, careful intent. And the car race between Diesel and Rodriguez is phenomenal stuff.

Some good acting from Evans, some bad acting from Gina Carano (though one of her fight scenes with Rodriguez is awesome). Everyone else is fine. Lin manages to get better performance from Dwayne Johnson here too.

Furious 6 is mechanical and superficial, but beautifully made and likable enough.

1.5/4★½

CREDITS

Directed by Justin Lin; screenplay by Chris Morgan, based on characters created by Gary Scott Thompson; director of photography, Stephen F. Windon; edited by Kelly Matsumoto, Christian Wagner, Dylan Highsmith, Greg D’Auria and Leigh Folsom Boyd; music by Lucas Vidal; production designer, Jan Roelfs; produced by Neal H. Moritz, Vin Diesel and Clayton Townsend; released by Universal Pictures.

Starring Vin Diesel (Dominic Toretto), Paul Walker (Brian O’Conner), Dwayne Johnson (Hobbs), Michelle Rodriguez (Letty), Jordana Brewster (Mia), Tyrese Gibson (Roman), Ludacris (Tej), Sung Kang (Han), Gal Gadot (Gisele), Luke Evans (Shaw), Gina Carano (Riley), John Ortiz (Braga), Shea Whigham (Stasiak), Clara Paget (Vegh) and Elsa Pataky (Elena).


RELATED

Fast & Furious (2009, Justin Lin)

With Fast & Furious, director Lin and screenwriter Chris Morgan do something incredible. They take what, a decade before would have been at best a video game spin-off (maybe featuring the original, now down in their career cast's voices), and make an energetically mercenary movie out of it. The film's ludicrous at almost every turn, but it's hard not to appreciate a huge budget in CGI being spent on car chase after car chase.

Oh, there are some real cars racing, but Lin apes the conclusion to Return of the Jedi for the finale–just with cars. It's entirely admirable and entirely pointless. There's not an honest moment in the entire movie, everything is perfectly calculated to entertain. The film gets too loud and almost too busy–Gal Gadot's useless character is in the not really bad bad Bond girl part–seemingly because Vin Diesel wants a lot of tear jerker scenes to be a tough guy during.

Lin doesn't want to hold a shot–he's clearly more into Michael Bay for car chase inspiration than Billy Friedkin–but his composition is good and Amir Mokri does a fine job shooting the film. The real car racing footage looks great. All the composite CGI stuff is a little too obvious, but it's a video game, you're not supposed to care.

The film does require a certain enthusiasm for Diesel and Paul Walker's bromance; Lin gets a surprisingly okay performance from Walker.

Like I said, big, loud, dumb, sometimes perfectly amiable.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Justin Lin; screenplay by Chris Morgan, based on characters created by Gary Scott Thompson; director of photography, Amir Mokri; edited by Fred Raskin and Christian Wagner; music by Brian Tyler; production designer, Ida Random; produced by Neal H. Moritz, Vin Diesel and Michael Fottrell; released by Universal Pictures.

Starring Vin Diesel (Dominic Toretto), Paul Walker (Brian O’Conner), Michelle Rodriguez (Letty), Jordana Brewster (Mia), John Ortiz (Campos), Laz Alonso (Fenix), Sung Kang (Han), Tego Calderon (Tego), Gal Gadot (Gisele), Jack Conley (Penning), Liza Lapira (Trinh), Shea Whigham (Stasiak) and Don Omar (Don Omar).


RELATED