Any movie with a Somerset Maugham reference like this one (to The Moon and Sixpence) is going to get me to go a little soft on it, but given how late the reference fully realizes, Lucky Partners was already reasonably safe. When I saw Lewis Milestone directed it, I knew there’d at least be some nice camerawork and Ginger Rogers RKO comedies are also generally decent. I just realized, thinking about it, Lucky Partners is only the second film I’ve seen starring Ronald Colman, which is a mistake. Colman glides through the film. Most of it is his scenes and he carries the whole thing with geniality. From the fourth shot–the film has a nice Milestone opening, so I can remember the shots–Colman’s the whole thing… which is amusing, but also problematic, because Ginger Rogers and Jack Carson’s characters suffer so Colman can remain the protagonist.
The film makes a number of assertions and changes them to keep the film moving. First, Rogers is likable. Then, she isn’t. Then, she is. Then, she isn’t. First, Carson is a jerk. Then, he’s not. Then, he’s an even bigger jerk. First, the film’s set up as a wonderful neighborhood piece with a great supporting cast. Then it becomes a road picture. Then it becomes a slightly mystical romance. Then it becomes a courtroom comedy. The first act of the film moves fast–twenty-five minutes went by in a snap–but the end of the second act drags, as the film desperately tries to tie itself up. The opening is strong and I kept hoping the film would regain some of that quality as it moved through its ninety-degree squiggles–and the film kept showing potential for said recovery–but it never did. The film’s lowest point was just before it declared itself a charming and mediocre comedy. Harry Davenport as the judge, who’s enamored with Rogers, clangs that change.
Given the excellent quality of Ginger Rogers’s other RKO features, Lucky Partners should be a bigger disappointment, but it’s such a pleasant viewing experience, it’s hard to get particularly upset. In fact, I think the film’s a major achievement. Though he’s a wonderful director, Milestone rarely made good films. And Lucky Partners is so close to good, it counts.
Directed by Lewis Milestone; screenplay by Allan Scott and John Van Druten, based on a story by Sacha Guitry; director of photography, Robert De Grasse; edited by Henry Berman; music by Dimitri Tiomkin; produced by George Haight; released by RKO Radio Pictures.
Starring Ronald Colman (David Grant), Ginger Rogers (Jean Newton), Jack Carson (Frederick Harper), Spring Byington (Aunt Lucy), Cecilia Loftus (Mrs. Alice Sylvester) and Harry Davenport (Judge).