blogging by Andrew Wickliffe


Furious 7 (2015, James Wan)


Furious 7 has some really bad CGI. And I’m not talking about the creepy Paul Walker head at the end (during the utterly out of place and terribly integrated memorial sequence). It’s everything. Director Wan doesn’t know how to shoot a single scene in Furious, not the action scenes, definitely not the car scenes, even more not the fight scenes. No one–not Wan, not his four editors, not his two photographers–cares about making the action work in Furious. The CGI doesn’t improve it or solve a physically impractical problem. It’s just the easiest way to do it. Cheap CGI.

Of course, cheap is the keyword for Furious. Screenwriter Chris Morgan has only a handful of scenes not directly related to Kurt Russell (cashing a paycheck as a CIA agent) hiring Vin Diesel and company; those scenes are desperately melodramatic, either involving Michelle Rodriguez’s memory loss, Jordana Brewster not wanting to henpeck Paul Walker too much or… no, I think those two subplots are it.

Even Jason Statham hunting down Diesel, Walker and everyone else is underused. Once Morgan and Wan establish Statham, he just shows up in every action sequence to wreck havoc. What could have been anarchy working through the movie is instead a painfully bad performance from Statham.

Really terrible supporting performances from John Brotherton, Tony Jaa and Djimon Hounsou.

Wan’s a bad director; he sinks Furious. The movie is absurdly mercenary. No imagination went into anything. Except maybe the cars and Wan can’t shoot those.


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