Watching Fighting for Love is frustrating. Rapid-fire dialogue–straight out of a Howard Hawks comedy–is difficult to get in subtitles, especially poorly translated ones. Still, the charm of the actors comes through and Fighting for Love is probably the best mediocre romantic comedy I’ve seen in a long time, at least of the recently-made (since 1998) ones. I initially queued the film right after I saw Yesterday Once More and went through Netflix for other Sammi Cheng films. Since Yesterday tried to be serious, it didn’t offer the best precedent for Cheng. She’s charming and funny and touching in a way we don’t have right now in American cinema. As goofy as Fighting for Love gets, Cheng is never otherworldly. Her problems are never two-dimensional, on celluloid. The problem could be–I don’t really think it is, but I’m acknowledging the possibility–with American female actors, we’re a little too aware of their reality and can’t disconnect enough to connect with their films….
Once I had queued Fighting for Love, I realized the Tony Leung it starred. There are two Tony Leungs, Chiu Wai and Ka Fai. I don’t know who had the name first (and I’m too lazy to look it up). Chiu Wai, who appears in Fighting for Love, is the Tony Leung from In the Mood for Love and 2046 and Hard-Boiled. I’m a Tony Leung fan and so I was looking forward to the film. While he’s older than Cheng, their age difference doesn’t really affect the film. He does look rather silly surrounded by all the much younger actors playing his siblings, but I let it pass. The story’s a general romantic triangle (his girlfriend’s out of town and they have to fall in love while she’s gone, yada yada yada). It doesn’t matter. It’s a romantic comedy, the predictability isn’t an issue. There are some nice moments between Leung and Cheng and funny ones too and those scenes are what romantic comedies are about.
The most particular thing about the film–and I wasn’t expecting it–was the quality improvement throughout the second half. It didn’t do anything particularly special, it just laid on those nice scenes. By the end of the film–where, of course, there was a final cute joke–the varnish was nice and shiny.
Directed by Joe Ma; written by Ma, Chow Yin Han and Lam Oi Wah; edited by Cheung Ka-Fai; produced by Carl Chang; released by Film Power Company.
Starring Tony Leung Chiu Wai (Veg Cheung), Sammi Cheng (Deborah), Niki Chow (Mindy), Joe Lee (Camel) and Li Fung (Deborah’s mom).
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