For the most part, Fast & Furious 6 is a delightfully absurd action concoction from director Lin. The film drops the Fast and the Furious “family” into a James Bond movie; thank goodness, because it’s hard to imagine Roger Moore able to outdrive the bad guys here. And it’s even set in London (and later Spain). It’s not original, but screenwriter Chris Morgan does fold familiar action movie plot lines into a new situation. Lin’s making a non-fantasy (just absurd), non-realistic action extravaganza. It has to be seen to be believed.
But then there’s how much time is spent on Vin Diesel courting Michelle Rodriguez (she’s back from the dead, with amnesia–apparently Morgan doesn’t just like to lift from Empire Strikes Back, he likes to lift from “Days of Our Lives” too) and Lin handles it pretty well. Some of it. One spinning conversation is terrible, but the car race immediately proceeding it is fantastic work.
The thing about Furious 6 is Lin and photographer Stephen F. Windon do create breathtaking car race and car chase shots; they’re in the quickly edited sequences, but clearly done with deliberate, careful intent. And the car race between Diesel and Rodriguez is phenomenal stuff.
Some good acting from Evans, some bad acting from Gina Carano (though one of her fight scenes with Rodriguez is awesome). Everyone else is fine. Lin manages to get better performance from Dwayne Johnson here too.
Furious 6 is mechanical and superficial, but beautifully made and likable enough.
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