Thor has two problems to overcome. Director Branagh is successful at one of them. The first problem is half the film takes place in mythological Asgard, which is an ancient place, but very modern with all the latest streamlined architecture—think if Art Deco molded with neon, some magical stuff and then inexplicable horse-based transit. For a superhero movie, it asks a lot. One has to believe it. Branagh makes it work.
The second problem is less severe and, by the time it becomes clear, it’s sort of a non-issue. The New Mexico setting for the “on Earth” sequences is boring. There’s this fantastic ten foot tall metal monster thing and it all looks great, but it’s destroying a tiny desert town. It’d be a lot more fun to watch it destroy something bigger. But, by this time, the romance between Chris Hemsworth and Natalie Portman is going and the movie’s coasting. Plus, the exit from New Mexico’s a nice sequence.
The script’s assured, but again, the acting helps. Tom Hiddleston walks off with the movie as Hemsworth’s brother and antagonist. Idris Elba and Jaimie Alexander are also strong. Anthony Hopkins is fine (one wonders how much they spent making him look so young at times). Hemsworth is ideal in the lead. Portman is just doing the smart girlfriend role—and she has some problems—but she’s good overall.
Great score from Patrick Doyle. Nice composition from Branagh.
Thor’s a lot of fun; it escapes its inherent goofiness.