She’s a Good Skate, Charlie Brown is all about Peppermint Patty (Patricia Patts). Charlie Brown (Arrin Skelley) has a couple appearances, but it’s just for the brand. Skate is all Peppermint Patty, Snoopy, Marcie (Casey Carlson), and Woodstock. Patty’s training for an ice skating competition. Snoopy’s her coach–and an accomplished skater himself–while Marcie and Woodstock offer various kinds of support. Sometimes rather consequentially.
What’s so striking about Skate, right off, is the ice skating. The attention to the animation, the way Roman directs the sequences, it’s a showcase for Peppermint Patty’s ice skating. And her eventual competitors. Roman and his animators excel at showing the accomplishments in the skating. Patty’s got a bunch of great, fast expressions as she goes through her routines. It’s lovely.
The story is fairly sparse. Patty has to wake Snoopy up to get him to coach, they get into a fight with some boy hockey players (it’s a weird, but rather successful scene), not much else. Not until Patty gets Marcie to make her the skating outfit, but she doesn’t give her any warning. They do it the day of the competition (or at least immediately preceding it in the present action) so it’s build-up to the finale, not a subplot.
Carlson’s hilarious as Marcie in Skate. She gets the best jokes. Snoopy gets a few visual gags–the first one is subtle and hilarious so it’d be hard to beat–while writer Charles M. Schulz gets the heftier material to Carlson in the dialogue. Though Marcie doesn’t get to have anything at the end. Snoopy’s gets a really good bit during the finale, as does Woodstock. And Patty’s skating. Marcie’s just with the mostly non-speaking Peanuts kids cheering Patty on. Skelley (and Charlie Brown) actually get the lines there, which are at best mediocre expository remarks. It’s kind of weird. More of that Charlie Brown branding.
But it’s just before Patty’s final skate so as long as it comes off, it’ll all work. And it does come off. Everything works just right–Ed Bogas and Judy Munsen’s music (and the Puccini aria), Roger Donley and Chuck McCann’s editing–the animating, Roman’s direction, Schulz’s plotting. She’s a Good Skate, Charlie Brown is outstanding; it’s meticulous and assured. Even when a moment shouldn’t work, it does thanks to the animation coming through or Carlson or Patts or just how fast Schulz moves things along.
And then there’s this perfect little end tag too.
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