Dark Horse Presents 64 (July 1992)

Seriously, they thought this issue was good enough?

The opening is a terrible bit of corporate synergy–a prologue to the Dr. Giggles movie from screenwriter Coto, who’s just as awful writing comics as he is writing movies. It’s a mean, gory eight pages of crap. Though Burrows’s art isn’t bad.

Then there’s a Boris the Bear, which is funny if you like Richardson making fun of Dark Horse. It’s weak, except for Smith’s artwork, which brings a certain amount of charm.

The Creep ends on a very depressing note. It’s one of the finest things Dark Horse Presents has published in the last twenty or so issues… just amazing work from Arcudi and Eaglesham.

The closing story is this writing workshop collaboration. Though Rubio’s art looks like a Disney movie, it’s all an obnoxious blind guy who’s mean to his dog. Definitely problematic, but it has a great finish.


Dr. Giggles, Part One; story by Manny Coto; art by Alan J. Burrows; lettering by Bill Spicer. Boris the Bear; story by Mike Richardson; art and lettering by James Dean Smith. The Creep; story by John Arcudi; art by Dale Eaglesham; lettering by Pat Brosseau. Scraps; story by William C. Herrel, Douglas Miers, Eric Dinehart, LaDonne Lynn, Matt Hammond, Doselle Young, Jeff Camp, John Clapp, Jason A. Turner, Steve Kaiser, Mike Kerr and Janine Goldfarb; pencils by Bobby Rubio; inks by Jorge Pacheco; lettering by Karen Casey-Smith. Edited by Randy Stradley.

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