The Last Jedi is a long two and a half hours. It’s an uneven split between Daisy Ridley, Oscar Isaac, and John Boyega. Ridley’s off with Mark Hamill–but really having a FaceTime via the Force arc with Adam River–while Isaac is doing his damndest to get everyone killed because he doesn’t want to listen to women. Boyega starts with Isaac, then has a quest with Kelly Marie Tran. Boyega and Tran have the closest thing to character arcs. Isaac learns his lesson way too late and only because Carrie Fisher is so patient with him.
At the center of the film is not Ridley learning the ways of the Force from Hamill. Director Johnson avoids tackling that relationship, giving Hamill all his character development away from Ridley. It’s a waste of Hamill. There’s some effective homage with him, but nothing particularly sincere. Johnson–who wrote the script–seems to want nothing to do with the character.
As a result, most of Ridley’s time in the film is utterly wasted. Most meaning more than ninety-five percent. Her subplot with Driver doesn’t add up to anything. Especially since it gets resolved somewhere in the first of the film’s third acts. It basically has three of them.
Unlike the previous entry in Disney Star Wars, which repurposed the original Star Wars’s story beats, Last Jedi is a mix of Empire and Return of the Jedi, just reorganized. There’s enough content they could’ve split the movie in two and gotten more dramatic oompf out of it.
The stuff with Boyega and Tran completely lacks any subtlety and still ends up being the most effective of the film’s plot lines. Even though Johnson has a really hard time establishing Boyega at the start of the film, eventually the chemistry between the actors overcomes the rocky opening. Benicio Del Toro is the name cameo in that plot line and he’s fun. He’s painfully obvious, but he’s fun.
Meanwhile Isaac goes from ignoring Fisher’s orders to ignoring Laura Dern’s. The movie shafts Dern, redeeming her in a reveal and then it’s pretty much time for her to go. Fisher’s back. Johnson sidelines Fisher after giving her the film’s best “Force” sequence. There’s some visually interesting Dark Side stuff with Ridley–a throwback to Empire–but it ends up narratively inert like everything else Johnson does with Ridley. For all the film’s talk of heroes and legends, Johnson’s incredibly uncomfortable spending any time with them. You can only deconstruct Star Wars so much. In Last Jedi, Johnson wastes a bunch of time trying to do so.
Besides just being long and meandering because Johnson’s verbose, the film also severely lacks danger. Most of the film has the Rebel fleet running from the Empire–sorry, First Order, but damn do the interiors of the Star Destroyers look amazing just like in the seventies. The Rebels are almost out of fuel and can’t warp so the Empire is just shooting at them. The good guys’ shields can take it but not forever and they can’t actually escape.
If Johnson were able to direct for tension, it could be great. Instead, it’s just a way to winnow down the cast. Pointlessly so. Johnson does all right making the frequent death scenes momentarily tragic, but they don’t have any resonance. Last Jedi doesn’t want to have anything to do with resonating.
None of the acting is bad except Domhnall Gleeson. He and Driver bicker as they try to out-suck-up to their boss, the CGI “big bad” (voiced by Andy Serkis). Gleeson’s wholly incompetent at his job and whiny. Driver’s at least got the Dark Side and broody beats whiny. And Driver acts like Johnson’s giving him an actual character arc. Besides Ridley and Hamill, Johnson fails Driver most.
Great music from John Williams this outing. Excellent, entirely unexciting special effects. The battle scenes are similarly competent but uninspired; despite all his dawdling and dwelling, Johnson’s hasty with his action direction. Steve Yedlin’s photography is crisp but somehow bland. Editor Bob Ducsay and Johnson try to maintain the original trilogy’s wipes but without looking as dated. It’s not successful. The scenes are all a little too long, even if it’s by a few frames. Johnson is anti-brevity.
Making it’s even worse he shafts the entire cast on character arcs. The movie’s two and a half hours long. There ought to be more than enough time for the seven principal characters….
At least The Last Jedi isn’t a vanity project, though maybe it’d be better if it were. It’d mean Johnson had some personality. And he doesn’t.