A scene from HULK, directed by Ang Lee for Universal Pictures.

Hulk (2003, Ang Lee)

Hulk had a huge box office drop-off after its opening weekend–wow, almost seventy percent. It’s actually somewhat lucky, because I’d have thought people would have gotten up and walked out of the theater. The Hulk doesn’t show up until about an hour into the movie and doesn’t do anything interesting for another half hour after the first appearance. There’s a lot of angst in the first couple Hulk appearances, before it finally gets to him fighting tanks and such. The tank fights and the helicopter fights and the Hulk jumping all over the place–those scenes Ang Lee does all right with. The Hulk doesn’t look “real” in any of the close-ups, but given how unbelievable the acting is from the principals… ILM’s Hulk by far gives the film’s best performance.

The worst performance is–just because it’s so absurdly easy–Josh Lucas. I don’t remember him from anything else, but his big business scientist seems to be an homage to… Himmler, maybe. The actor is bad, nothing else. For all the pseudo-angst Lee and James Schamus drown Hulk in, they don’t mind one of their principal characters being shallower than a piece of newsprint. I think they even gave Lucas extra blue eyes, though I’m not sure why… It’s a horrific performance, but the terrible writing contributes.

The other two–primary–terrible performances are Jennifer Connelly and Eric Bana. Bana hurts the most, since he’s the ostensible lead (it’s really Nick Nolte). Either Bana was on tranquilizers the whole time or mastering getting rid of his Australian accent also removed all animation. Connelly–for the first half–acts with her hair. Once they change the style, though, look out. She’s incapable of doing anything realistically. A big problem with Hulk seems to be casting actors who think the project is crap. Both Bana and Connelly are abjectly disinterested in their performances.

Sam Elliot’s also bad, but that one’s not particularly surprising.

Once again, Nick Nolte shows off just what he can do with a wacky, crazed role and turns in the film’s most sympathetic character.

Lee’s stylistic choices are car wreck interesting. For example, what were the producers thinking trusting Lee with a $140 million budget (glib answer, they weren’t). Lee can’t handle the money, but the other choices he makes–the split screens meant to imitate comic book panels (doesn’t work) or using comic sans as the movie’s font (that one should get one ejected from the DGA, if not incarcerated). But at the beginning, when Lee’s zooming in on all sorts of molecules and lab animals and doing all sorts of dumb fades, Hulk actually works as a super-budget b-movie from the 1950s (the dangers of nuclear power and all). It’s interesting to look at, interesting to experience. Of course, once the Hulk shows up, Lee flushes all that stylization (but sticks to his multi-screen thing, which seems more inspired by security cameras than comic books).

Hulk is a disaster, as the lack of a definite article should suggest, but it’s a disaster caused by incompetence. How hard is it to mess up a big green guy breaking stuff? Very easy, apparently.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Ang Lee; written by John Turman, Michael France and James Schamus, based on a story by Schamus and the Marvel comic book by Stan Lee and Jack Kirby; director of photography, Frederick Elmes; edited by Tim Squyres; music by Danny Elfman; production designer, Rick Heinrichs; produced by Gale Anne Hurd, Avi Arad, Schamus and Larry J. Franco; released by Universal Pictures.

Starring Eric Bana (Bruce Banner), Jennifer Connelly (Betty Ross), Sam Elliott (Ross), Josh Lucas (Talbot) and Nick Nolte (Father).


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