Mike Richardson

Star Wars: Crimson Empire 6 (May 1998)

Why couldn’t they have just done it as a Western? It would have been perfect. The final issue of Crimson Empire has the best and worst from the series. The woman–her name is Sinn, which is stupid so I probably forced myself to ignore it–declares to the “holy stars” she’ll hunt down the main guy […]

More

Star Wars: Crimson Empire 4 (March 1998)

This issue concentrates on the Rebels, specifically the woman. I can’t remember her name though. Stradley and Richardson repeat all the other names so much, she and her lizard-man sidekick are sort of nameless. I’m sure they say it a few times throughout… just didn’t make any impression. There’s a lot of excellent Gulacy composition […]

More

Star Wars: Crimson Empire 3 (February 1998)

From the second panel, it’s clear something off with the art. Either Gulacy hurried through faces and let Russell finish or Russell got eager and got rid of all Gulacy’s rounded lines. The former would just be unfortunate… the latter would just piss me off. This issue doesn’t feel like Gulacy until about halfway, which […]

More

Dark Horse Presents 64 (July 1992)

Seriously, they thought this issue was good enough? The opening is a terrible bit of corporate synergy–a prologue to the Dr. Giggles movie from screenwriter Coto, who’s just as awful writing comics as he is writing movies. It’s a mean, gory eight pages of crap. Though Burrows’s art isn’t bad. Then there’s a Boris the […]

More

Dark Horse Presents 40 (May 1990)

You know, I think Matt Wagner’s Aerialist is homophobic. Every man is forced to be gay. Anyway, it’s not at all impressive, a Rollerball knockoff. When his characters aren’t in costume, Wagner’s art is rather weak. I guess the hot air balloons look good. Bob the Alien is absolutely amazing as a) Bob moves to […]

More

Dark Horse Presents 32 (August 1989)

Ugh, another “annual.” Sixty-four pages of Dark Horse Presents tends to be a little much. The American is a little long here–it’s very passive and not at all dramatic. On the other hand, Peterson shows he used to be a lot more interesting of an artist. The Wacky Squirrel strip from publisher Richardson is dumb. […]

More

Dark Horse Presents 14 (January 1988)

Reading Mr. Monster, I thought a lot about how much I love Will Eisner’s Spirit in black and white. Not because Gilbert’s art in any way reminds of Eisner, but because it doesn’t. Because instead of publishing wonderful black and white comics, Dark Horse Presents is publishing Gilbert’s Mr. Monster and it looks like pencils […]

More