Randy Stradley

Star Wars: Crimson Empire 6 (May 1998)

Why couldn’t they have just done it as a Western? It would have been perfect. The final issue of Crimson Empire has the best and worst from the series. The woman–her name is Sinn, which is stupid so I probably forced myself to ignore it–declares to the “holy stars” she’ll hunt down the main guy […]

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Star Wars: Crimson Empire 4 (March 1998)

This issue concentrates on the Rebels, specifically the woman. I can’t remember her name though. Stradley and Richardson repeat all the other names so much, she and her lizard-man sidekick are sort of nameless. I’m sure they say it a few times throughout… just didn’t make any impression. There’s a lot of excellent Gulacy composition […]

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Star Wars: Crimson Empire 3 (February 1998)

From the second panel, it’s clear something off with the art. Either Gulacy hurried through faces and let Russell finish or Russell got eager and got rid of all Gulacy’s rounded lines. The former would just be unfortunate… the latter would just piss me off. This issue doesn’t feel like Gulacy until about halfway, which […]

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Dark Horse Presents 69 (February 1993)

The Predator story keeps getting worse (it turns out it’s just a prologue to some limited series, I love it when Dark Horse uses Presents to advertise their licensed properties). Given Raskin’s worsening artwork and Stradley’s bad writing–he uses a government report as the narrative exposition, he’s used similar devices in the past successfully… here […]

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Dark Horse Presents 68 (December 1992)

The Predator story continues and its problems become real clear. Stradley’s trying to take a “real” approach to certain elements–gang members, serial killers–and it just comes off as silly with the Predator running around. Raskin’s art suggests he’s unprepared for such a big assignment (and Wiacek seems to have been brought in to correct things […]

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Dark Horse Presents 67 (November 1992)

The issue opens with an idiotic story about an annoying character called Zoo-Lou. Hedden and McWeeney usually do great work. The art here’s excellent, but the writing is an absolute nightmare. Dark Horse really loves poking fun at themselves… and usually it comes out awful, like Zoo-Lou. An Accidental Death comes to its conclusion here. […]

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Dark Horse Presents Fifth Anniversary Special (April 1991)

This special is far from an accurate representation of Dark Horse Presents. Everything looks very professional. The Aerialist and Heartbreakers installments are both long needed establishments of the series’ ground situation. I even liked the Heartbreakers one (Bennett’s writing is far stronger from the clones’ perspective, versus their creator). There’s also lots of disposable stuff–Concrete, […]

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Dark Horse Presents 36 (February 1990)

The Aliens vs. Predator story is most impressive for Norwood’s illustration… but not of aliens or Predators. The story opens on some alien world and it’s just breathtaking. Once the actual story starts (Stradley’s two conversationalists talking about hunting experiences while Predators hunt aliens), it can’t compete with those visuals. Still, for what amounts to […]

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Dark Horse Presents 35 (December 1989)

The Predator story opening the comic gets it off to a good start (it’s really just part of the prologue to the first Aliens vs. Predator series). Stradley writes an excellent conversation about social Darwinism between these two pilots, which Norwood then adapts into something featuring Predators fighting for dominance. Well, it was probably the […]

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Dark Horse Presents 34 (November 1989)

Race of Scorpions gets even more amazing this issue… Duranona tells the reader what happens to the story’s protagonists in a little text paragraph at the end of the story. The actual story was spent on some supporting cast members. It’s sort of amazing how poorly plotted this story gets. Dark Horse really just didn’t […]

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Dark Horse Presents 20 (August 1988)

This issue is a sixty-four page giant–only most of the extra is filler. They could have gotten away with a lot less pages. The Mr. Monster story is real short (and lame). Gary Davis has a short space alien story showing he’s read some Arthur C. Clarke (it’s long, wordless filler). Rick Geary’s got a […]

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Dark Horse Presents 14 (January 1988)

Reading Mr. Monster, I thought a lot about how much I love Will Eisner’s Spirit in black and white. Not because Gilbert’s art in any way reminds of Eisner, but because it doesn’t. Because instead of publishing wonderful black and white comics, Dark Horse Presents is publishing Gilbert’s Mr. Monster and it looks like pencils […]

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Dark Horse Presents 10 (September 1987)

This issue Concrete gets into a fight with a bear and nearly loses. In some ways, since Chadwick isn’t going for the saccharine, it works better than any other Concrete story so far. Except it’s basically a reluctant superhero story, so it’s not the traditional Concrete story. Again, somewhat weak art from Chadwick. It’s hard […]

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Dark Horse Presents 4 (January 1987)

It’s a real toss-up this issue for worst writing. Randall’s script for Trekker is laughably bad, but there’s something almost confrontational about Stradley’s Mindwalk script. It’s like he’s punishing the reader for taking the time to read the story, as though he or she isn’t being punished enough by Emberlin’s artwork. Randall’s Trekker art, on […]

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Dark Horse Presents 3 (November 1986)

Yay, Warner’s back with Black Cross–featuring a bunch of expository dialogue recapping the first story. With all that useless exposition, one might think Warner would explain the ground situation to the reader. But he doesn’t. It’s confusing and a lot of work thinking about something so dumb sounding. Stradley and Emberlin’s Mindwalk has its weakest […]

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Dark Horse Presents 2 (September 1986)

Wow, does Chadwick ever try hard to be cute. His Concrete story this issue is a completely useless, inconsequential diversion… Maybe I’m missing the point. Maybe it’s supposed to be charming, but it just seems like he wastes a lot of energy. The art’s okay, Concrete being a really boring looking character but the desert […]

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Dark Horse Presents 1 (July 1986)

You know, I really didn’t expect Dark Horse Presents to open its first issue with a male overcompensation piece like Black Cross. Warner’s art’s amateurish and I guess it shows movie optioning is a comic book tradition (the character looks like Sylvester Stallone). It’s a dismal story. Chadwick’s two contributions are all right. The Concrete […]

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Aliens vs. Predator 4 (December 1990)

It’s a weak close, partially because Stradley probably needed another issue to fully develop the relationship between the protagonist and the friendly Predator (he also needed space to give it a proper ending), but mostly because Chris Warner is no replacement for Norwood. Warner kills that beautiful design sense Norwood brings to the book. Instead […]

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Aliens vs. Predator 3 (October 1990)

The change in inkers makes Aliens vs. Predator look exactly as drab and boring as I’d expected the first few issues to look. Campanella can’t do much to Stradley’s figures, but he rounds out the faces–not all the time, which makes the art disjointed–but definitely in close ups. Everyone looks like they’ve had the definition […]

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Aliens vs. Predator 2 (August 1990)

The issue opens with some weak dream exposition. It doesn’t fit the narrator’s voice–Stradley never establishes why he’s using it (I think it’s a callback to the Aliens series where people have nightmares around the aliens)–and it’s a weak opening. But then Stradley recovers beautifully. Until the end of this issue, Aliens vs. Predator is […]

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