It’s a real toss-up this issue for worst writing.
Randall’s script for Trekker is laughably bad, but there’s something almost confrontational about Stradley’s Mindwalk script. It’s like he’s punishing the reader for taking the time to read the story, as though he or she isn’t being punished enough by Emberlin’s artwork.
Randall’s Trekker art, on the other hand, isn’t terrible. He’s got some issues with proportions and perspective, but his enthusiasm and persistence are clear. He worked hard illustrating his derivative, atrocious sci-fi story.
The rest of the issue is similarly unimpressive. Sure, Chadwick’s Concrete artwork is amazing, but the story is another one where Concrete spends eight pages doing something then decides to reverse and not tell anyone. So why does the reader have to put up with it, to sympathize for the character? Why should we?
Once again, a moderately cute Boris strip closes the issue.