
Evolution is an end of the world (as we know it) story. It’s happening all over the world, though with a predominately American bent. People are turning into monsters, but not mean monsters, just monstrosities. Because it turns out lots of people are evolving rather quickly and it’s happening all over and only one man can stop it.
Well, one man, a nun, and two twentysomething women who happen upon it.
Evolution has four writers and one artist. There’s back matter, which I haven’t read, and it might delineate who is writing what. I prefer not to know. I want to see how it all fits together. Is consistent art enough?
So far it seems like yes. In fact, so far, Evolution seems like a fine exercise in collaboration. It’s not an anthology. In fact, an anthology might have more similarities between stories–besides the overarching threat, the plotlines have little in common.
Other than Joe Infurnari’s horrific art. Horrific in a good way. It’d be in an even better way without Jordan Boyd’s colors (Image had a black and white sample version and the art’s much better without the distraction).
Anyway. Good stuff.
Evolution is an end of the world (as we know it) story. It’s happening all over the world, though with a predominately American bent. People are turning into monsters, but not mean monsters, just monstrosities. Because it turns out lots of people are evolving rather quickly and it’s happening all over and only one man can stop it.

There’s simultaneously too much and not enough going on. Asmus doesn’t do any character development, just more revelations in the political intrigue. He hasn’t built the foundation for it. While Magno has some beautiful composition for the still moments, the action’s messy. Kong’s a lot of work.

Giant apes are more interesting than political intrigue, even political intrigue involving multiple betrayals. These betrayals all happen during a crisis and all happen with characters it’s impossible to really care about because we’re three issues into Kong of Skull Island–the title does now make awesome (and plural) sense, however.

This issue of Kong of Skull Island is a moderate disappointment. The book was off to a surprisingly strong start after its premiere issue, only to stumble through every page of this second one. Occasionally, Asmus and Magno hit a stride for a couple pages, but there’s always another drop off. Asmus loses his strong protagonist for the issue, whether she’s present or not. The opening has her, but it’s a mess of an action scene. Magno has some really cool art of the Kong, but not much else. He’s rushing through what should be the character moments.

So, when Dark Horse released Kong: King of Skull Island over ten years ago, I bought it. It wasn’t cheap. And I read it. It wasn’t good. Kong of Skull Island is based on that “illustrated novel.” (It was by Joe DeVito).