Tag: Ed Brubaker
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Macan and Doherty finish Carson of Venus poorly. Doherty’s artwork this installment is particularly bad and, though Macan seems to be trying, the characters are all weak. Macan’s attempts at humor are a woman getting slapped around by her husband. So it kind of goes well with Brubaker and Lutes’s finish to The Fall, all…
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Warren finishes up Dirty Pair and I guess it’s good. I mean, it’s a lot of well-drawn action and the jabbering is starting to grow on me. There really isn’t a story though, just scantily clad girls in action scenes. But Warren’s art carries it. Macan’s writing is sort of better on Carson of Venus…
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Starting with The Fall, Brubaker introduces some complications and revelations here. I’ve read it before, but I can’t remember how it ends. This installment implies there might be some very bad things about to happen. Brubaker handles the change in tone well and Lutes’s art is great. He does fantastic night scenes. Macan and Doherty’s…
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Cooper brings Dan & Larry to a very disturbing conclusion. I mean, he really goes for it here–after backing down from going too far a few issues ago–but here, Cooper sort of leaps off the cliff and makes the installment just plain disgusting on a dozen levels. It’s great. As for Warren’s Dirty Pair story,…
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Where to even start. Beto’s got a good girl future story with Girl Crazy. It’s about a lovesick robot. He takes his time establishing it (then has to hurry towards the end) and finishes the story on a good joke. It’s a very cute story, sort of not what I expected from him. Then there’s…
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Wow, what a downer. Arcudi’s The Creep returns (with O’Connell on art this time). It’s a very depressing story about him hanging out with a prostitute. It’s utterly fantastic. It still shocks me Arcudi can be so subtly devastating. Trypto has a happy installment though; the dog rescues his owner from a drug cartel. Again,…
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Miller’s pseudo-anti-misogyny Lance Blastoff is back… it’s amazing how someone can turn in something so stupid and pretend it’s profound. I guess the sci-fi setting means Miller has to work a little harder on his art. Trypto gets weird this time. The dog develops superpowers and goes around (flying like Krypto) freeing and magically rehabilitating…
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I was trying to remember where I knew Leialoha from… he inks now. He pencils and inks Trypto, which has a superhero dog splash page and then a rather traditional story. It’s about a stolen dog being forced to dogfight. Mumy and Ferrer’s script is fine and Leialoha has some imaginative composition, but his art…
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Wow, what a downer. Arcudi’s The Creep returns (with O’Connell on art this time). It’s a very depressing story about him hanging out with a prostitute. It’s utterly fantastic. It still shocks me Arcudi can be so subtly devastating. Trypto has a happy installment though; the dog rescues his owner from a drug cartel. Again,…
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Miller’s pseudo-anti-misogyny Lance Blastoff is back… it’s amazing how someone can turn in something so stupid and pretend it’s profound. I guess the sci-fi setting means Miller has to work a little harder on his art. Trypto gets weird this time. The dog develops superpowers and goes around (flying like Krypto) freeing and magically rehabilitating…
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I was trying to remember where I knew Leialoha from… he inks now. He pencils and inks Trypto, which has a superhero dog splash page and then a rather traditional story. It’s about a stolen dog being forced to dogfight. Mumy and Ferrer’s script is fine and Leialoha has some imaginative composition, but his art…
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Okay, so Wray did have something to do with “Ren & Stimpy.” Otherwise, it’d be a little too coincidental. He does the art on Big Blown Baby (Fleming scripts). Great art, very detailed, very fluid. Too bad Fleming’s script is just a mediocre absurdist comedy thing. It’s amazing how many of these poorly written, obscenity-laden…
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Okay, so Wray did have something to do with “Ren & Stimpy.” Otherwise, it’d be a little too coincidental. He does the art on Big Blown Baby (Fleming scripts). Great art, very detailed, very fluid. Too bad Fleming’s script is just a mediocre absurdist comedy thing. It’s amazing how many of these poorly written, obscenity-laden…
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I guess Dave Gibbons had no quibbles about Frank Miller ripping off Watchmen for their Martha Washington story this issue. Nice art, bad writing. Forney’s got an anecdote about meeting Tom Waits. It has some charm, but not enough to sustain it. Then Geary’s back with a one page strip, as are Pekar and Sacco.…
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I guess Dave Gibbons had no quibbles about Frank Miller ripping off Watchmen for their Martha Washington story this issue. Nice art, bad writing. Forney’s got an anecdote about meeting Tom Waits. It has some charm, but not enough to sustain it. Then Geary’s back with a one page strip, as are Pekar and Sacco.…
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This teaser for Dark Horse Presents 100 has some great stuff in it… but it also has some unbearably long entries. Chadwick’s Concrete—though it’s always fun to read Concrete assuming the worst about humanity—goes on forever and turns out to be a prologue. It’s a little lame, though Chadwick’s art is decent. LaBan’s Emo and…
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This teaser for Dark Horse Presents 100 has some great stuff in it… but it also has some unbearably long entries. Chadwick’s Concrete—though it’s always fun to read Concrete assuming the worst about humanity—goes on forever and turns out to be a prologue. It’s a little lame, though Chadwick’s art is decent. LaBan’s Emo and…
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I’m tempted to mention Cooper’s one page strip first because it’s a page and I don’t really have anything to say about it. Oops, there I went and did. Brubaker and Gaudiano finish up Here and Now. It’s got a bit of a surprise ending, which makes perfect sense, but for whatever reason (probably a…
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I’m tempted to mention Cooper’s one page strip first because it’s a page and I don’t really have anything to say about it. Oops, there I went and did. Brubaker and Gaudiano finish up Here and Now. It’s got a bit of a surprise ending, which makes perfect sense, but for whatever reason (probably a…
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I wonder what Rennie’s Kabuki Kid scripts look like. This installment has a setup, introduces some villains, then it just goes wild. Langridge has the Kabuki Kid and his sidekick fighting an army of adversaries (though it does get weeded through fast). It’s funny and fast, even better than the first installment. Schutz and Pander…
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I wonder what Rennie’s Kabuki Kid scripts look like. This installment has a setup, introduces some villains, then it just goes wild. Langridge has the Kabuki Kid and his sidekick fighting an army of adversaries (though it does get weeded through fast). It’s funny and fast, even better than the first installment. Schutz and Pander…
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I’m not sure if Presents has ever had such a good issue. They may have… but this one’s rather excellent. Brubaker and Gaudiano’s Here and Now is a detective story, but one with an introspective, lost in his thoughts not his cases detective. Gaudiano’s artwork is fantastic–it’s basically a guy walking around most of the…
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I’m not sure if Presents has ever had such a good issue. They may have… but this one’s rather excellent. Brubaker and Gaudiano’s Here and Now is a detective story, but one with an introspective, lost in his thoughts not his cases detective. Gaudiano’s artwork is fantastic–it’s basically a guy walking around most of the…
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The issue opens with an idiotic story about an annoying character called Zoo-Lou. Hedden and McWeeney usually do great work. The art here’s excellent, but the writing is an absolute nightmare. Dark Horse really loves poking fun at themselves… and usually it comes out awful, like Zoo-Lou. An Accidental Death comes to its conclusion here.…
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Obviously, the major attraction is the second chapter of An Accidental Death. The pace changes throughout; it opens with the body being hidden, then Brubaker moves to summary, then to scene again. The final scene–the discovery–comes after the two boys (the protagonist and the murderer) start to discover where they really live. Reality, in more…
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The issue opens with an idiotic story about an annoying character called Zoo-Lou. Hedden and McWeeney usually do great work. The art here’s excellent, but the writing is an absolute nightmare. Dark Horse really loves poking fun at themselves… and usually it comes out awful, like Zoo-Lou. An Accidental Death comes to its conclusion here.…
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Obviously, the major attraction is the second chapter of An Accidental Death. The pace changes throughout; it opens with the body being hidden, then Brubaker moves to summary, then to scene again. The final scene–the discovery–comes after the two boys (the protagonist and the murderer) start to discover where they really live. Reality, in more…
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An Accidental Death opens this issue. It’s been a while since I’ve read it. The most immediate thing is Shanower’s art. It’s finished and precise; I’m sure Dark Horse Presents has had artwork as good, I just can’t think of any example. But then there’s Brubaker’s writing–and the way he presents the moral ambiguity of…
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An Accidental Death opens this issue. It’s been a while since I’ve read it. The most immediate thing is Shanower’s art. It’s finished and precise; I’m sure Dark Horse Presents has had artwork as good, I just can’t think of any example. But then there’s Brubaker’s writing–and the way he presents the moral ambiguity of…
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Heartbreakers is a little better this issue. Bennett and Guinan still don’t have a good sense of what makes a story interesting. This one implies it had potential to be interesting on the second to last page. Hughes and Story do a few pages, riffing on the idea of pin-up pages. The writing’s far from…
The Stop Button 