Miller’s pseudo-anti-misogyny Lance Blastoff is back… it’s amazing how someone can turn in something so stupid and pretend it’s profound. I guess the sci-fi setting means Miller has to work a little harder on his art.
Trypto gets weird this time. The dog develops superpowers and goes around (flying like Krypto) freeing and magically rehabilitating dogfighting dogs. And maybe killing the fight audience. Mumy and Ferrer’s script is fine. They turn their passion for the cause (anti-dogfighting) into a working story. Again, Leialoha bites off more than he can chew art-wise.
Simonson copies and pastes a bunch of panels, zooming sometimes, for Star Slammers. It’s some dumb sci-fi thing (better than Blastoff, but not really).
And Brubaker’s Lowlife? Wow. He gives another breakup this end of the world importance and drags his protagonist through the gutter. Then gets somewhere quietly profound. Very good story.
Lance Blastoff!; story, art and lettering by Frank Miller. Trypto the Acid Dog, Wheel of the Broken Voice, Part Two, Where Angels Fight; story by Bill Mumy and Miguel Ferrer; art by Steve Leialoha. Star Slammers, Fever Dream; story and art by Walt Simonson; lettering by John Workman. Lowlife, Part Two, Under a Big Black Sun; story, art and lettering by Ed Brubaker. Edited by Bob Schreck and Jamie S. Rich.