I wonder what Rennie’s Kabuki Kid scripts look like. This installment has a setup, introduces some villains, then it just goes wild. Langridge has the Kabuki Kid and his sidekick fighting an army of adversaries (though it does get weeded through fast). It’s funny and fast, even better than the first installment.
Schutz and Pander have three pages of filler set at a jazz club. Pander’s art’s good, but the entry’s pointless. Unless maybe it was a real place.
Then Brubaker and Gaudiano continue their dysfunctional private investigator in Here and Now. It’s an exceptionally depressing piece. I also wonder if it wouldn’t have been even more affecting to separate the two stories (the P.I. part and the dysfunctional family).
As for Campbell and Doreen Grey? This installment is even better, with Campbell sort of turning everything on its head. I love how he has characters discuss unlikely plot contrivances.
Kabuki Kid, Part Two, For a Few Noodles More!; story by Gordon Rennie; art by Roger Langridge; edited by Greg Vest. Tuesday Night at the Jazz Club; story by Diana Schutz; art by Arnold Pander; lettering by Sean Konot. Here and Now, Part Two; story by Ed Brubaker; art by Stefano Gaudiano; lettering by Konot. The Eyeball Kid, The Picture of Doreen Gray, Part Four; story and art by Eddie Campbell. Edited by Bob Schreck and Scott Allie.