Legion of Super-Heroes (1980) #267

Lsh267Writer Gerry Conway maintains his enthusiasm through this Legion entry, though he doesn’t have as many pages as usual to fill. Paul Kupperberg writes a backup—with pencils from Steve Ditko!–and eight fewer pages is what Conway needs.

He also gets to break away from the Legion story for a few pages to explore a planetary mining operation, where the women are the fighter pilots because dudes just aren’t suited for that kind of work. Conway starts the issue letting Duo Damsel save the day from last issue’s cliffhanger, and—even though there’s occasional cringe—he seems to like writing strong women more than annoying guys.

And the starfighters versus giant space genie sequence has better art than the space superhero pages. Jim Janes pencils the feature, with Dave Hunt on inks (Hunt also inks Ditko on the backup). Janes’s visual pacing on the battle might be his best work to date on Legion. I certainly can’t remember anything else comparable.

The genie’s attacking the mining colony because he’s only been awake a few hours, and he’s seen humanity infest the stars, greedily strip-mining the cosmos. No lies detected.

Conway also reveals the genie’s origin, which involves the Guardians (the Green Lantern Guardians), who imprisoned an entire species to little bottles and flung them out to various worlds in the galaxy. Just like the strip-mining, it’s a little weird how the book tries to present the Guardians as the good guys. Instead, they seem like thoughtless dicks.

And if they’re not thoughtless, they’re certainly not particularly prescient. Patronizing, maybe.

After Duo Damsel’s very wordy rescue mission—she has thought balloons for almost her entire sequence, the female star fighter, and the genie origin, Conway’s only got time for the action finale and wrap-up. He does all right. It’s a little silly, but Conway never gets bored, and he doesn’t seem to loathe any of the characters he’s writing, which is nice.

The backup’s a mixed bag. Maybe half of Ditko’s panels are fun Silver Age-ish ones; then the other half is a little lazy. Hunt’s inks hold the line (no pun) for about half the story, then figures start getting very loose. There’s still some good composition, even if the story itself is incredibly confusing. It’s the origin of the Legion flight rings and Kupperberg overwrites Brainiac 5 and the exposition dumps.

If one’s interested enough in the curiosity of Ditko illustrating, the art alone can carry the story—until the mealy-mouthed exposition at the end—but it’s a disappointment. Not just compared to the surprisingly adequate feature but also the backup’s first couple pages. Everything’s clicking (relatively) before it breaks down.

Still, a pretty decent issue for Legion.

Legion of Super-Heroes (1980) #265

The Legion of Super Heroes  265Given Jim Starlin once took his name off a Legion story because it wasn’t published as a Super Spectacular, I started wondering if regular writer Gerry Conway just did the plot for this issue—letting J.M. DeMatteis handle the script—because there’s a Radio Shack advertisement posing as a Superman comic accompanying. With pencils by none other than Jim Starlin.

I mean, I doubt it, but it’s a question.

The Legion story wraps up the Tyroc arc, which Conway’s been cooking for a couple issues. Tyroc—the only Black Legionnaire–ran off when they needed his help, causing team shithead Wildfire to go on a very pointed rant about Tyroc’s audacity and whatnot. Last issue, we found out it’s because his island homeland dimension hops every three hundred years or something. This issue finishes up that story and gets rid of the Legion’s only Black person, about four years after his first appearance. He doesn’t die; he just doesn’t escape with Shadow Lass and Dawnstar. The optics outweigh the spoilers—it’s not a particularly compelling tale, anyway.

Not the modern-day part, at least. Tyroc’s having a panic attack and ignoring all Shadow Lass and Dawnstar’s questions about being locked away from their own dimension for the rest of their lives. Eventually, he tells them the origin story of the island. A group of captive Africans, being transported in the slave trade, defeated their captors and found the island somewhere in the Atlantic. Soon after landing there, the island disappeared into another dimension. Then a few hundred years later, after they’d settled in, the island went back to Earth. And repeat. So they’re isolated both by being an island and also because they’re not permanently part of Earth’s history.

Tyroc’s a mutant (they don’t call him a mutant, of course), and he’s worried the use of his sonic powers has accelerated the window the island spends in Earth dimension.

There’s a lot of iffy and worse art from Jim Janes and Dave Hunt. It wasn’t worth the build-up, but it’s not absent good ideas.

Is The Computers That Saved Metropolis!, brought to you by DC Comics and Radio Shack, also not absent good ideas? It’s an almost thirty-page combination advertisement for Tandy Computers, a middle school computer history lesson, and Superman versus… Oh, wow. I thought writer Cary Bates created villain “Major Disaster” just for this comic (a giveaway at Radio Shack, reprinted in a number of DC comics), but he’s a Green Lantern villain. I thought for some reason they didn’t want to use a good villain like they’d need Radio Shack’s permission to use him; presumably, school teacher Ms. Wilson (Margaret to Superman) doesn’t appear again.

Anyway.

Starlin pencils, Dick Giordano inks. It’s funny how the “backup” has so much better art than the lead story here. Starlin’s always okay, sometimes better. There are some particularly good Superman action panels, as there should be, given Bates refers to him as the “Action Ace” a couple times.

Now, I must’ve had this comic at some point. I can’t imagine it wasn’t everywhere in the early eighties, either for free or close to it, but I’ve got no memory of the story. Major Disaster gets Superman to breathe in Kryptonite dust, then sets about showing off how Superman’s lost his super-smarts, which he uses to calculate all his action acing. The issue’s revelation Superman’s constantly doing math to figure out how not to kill everyone with his derring-do is… cool. Like, Superman as super-smart was always a neat bit.

Good thing Superman just gave Margaret’s class a couple Tandy TRS-80 microcomputers, which can do the math for him. Of course, he and the kids have worldwide micro-radio communication, but the best computers for crunching numbers aren’t in the Justice League Satellite; they’re available at your local Radio Shack®.

Major Disaster’s a lousy villain, and it’s too long—not to mention Bates (and Superman) contribute to erasing Hidden Figures’s NASA Black ladies (wait, is that erasure the connection with the first story?)—but it could be a lot worse. Like, Starlin’s heat vision panel’s fantastic.

Legion of Super-Heroes (1980) #264

The Legion of Super Heroes  264Turns out the only time Wildfire isn’t a raging asshole is when he’s ostensibly worried about his kidnapped parents. Either I forgot, didn’t realize, or didn’t care his parents had gotten taken last issue. They didn’t stand out (I think some parents got kidnapped off-page) because they weren’t assholes like their kid. It’s a really weird failing for writer Gerry Conway, who can write Wildfire freaking out about someone not saying hello to him, but when he’s actually supposed to be concerned….

Nothing.

The issue opens the Legionnaires causing a sky-traffic accident. Unlike the last time (I can’t remember who was writing that issue), Wildfire doesn’t threaten to incinerate the civilians in their car. He’s almost sympathetic this issue, though it’s probably just rebounding from him being such a prick every other issue.

After serving a bunch of red herring—including on the cover (which features Shadow Lass and Tyroc fighting, whereas they’re pals in the comic and Tyroc’s literally in two panels on the last page)—the issue settles into a mystery. After tracking the bad guy and the kidnapped parents to a remote power station, which turns out to be a trap, the Scooby gang starts investigating who might be after them and why. Well, they know the why—Legion patron R.J. Brande going bankrupt.

Or should I say, “B.D. Brande,” as his company’s building reads this issue. Jack C. Harris didn’t pay much attention when editing. It’d be difficult to pay too much attention—Jim Janes and Dave Hunt’s artwork is exceptionally bland and exceptionally boring. Janes occasionally does some okay composition work, but he’s also got some goofy angles. And his figures are terrible. It’s unclear how much Hunt’s inks help or hurt.

The bad guy turns out to be another of Conway’s rote Legion villains, though next issue promises something different, which is something at least. The cliffhanger reveals Tyroc’s got a good reason for running off last issue, though if he had a smartphone (in the year 2972 or whatever), the calendar app would change his life.

Legion of Super-Heroes (1980) #263

Los263When I was a kid reading Who’s Who, I always thought Wildfire had one of the coolest designs. I can’t believe I hadn’t seen Cosmic Boy or whoever’s dressed like a male stripper (maybe I blocked it). But, as ever, Wildfire proves to be not cool; two big examples this issue, first being shitty to Dawnstar with some major misogynist vibes, then being shittier to Tyroc (the only Black person in the future?). Tyroc’s got something going on back home and has to get there. Wildfire yells at him for having obligations while Black and promises to see him ejected from the Legion.

Though, given his living situation, Wildfire’s very much an incel, so all of it tracks except why he wasn’t kicked out of the Legion already.

In other words, duck that guy.

Anyway.

The story’s about some Legion parents coming to Earth and getting captured by a new villain. Not Wildfire or Tyroc’s parents, or any of the issue’s Legion roll call, actually. Not having anyone be too invested—except Wildfire being super mad at Tyroc having agency—lets writer Gerry Conway off the hook for some character work. Though he’s got a surprising lot of it in the opening with the parents. It’s downright fascinating. They’re these future parents from different planets (some who’ve never been to Earth), and they’ve all got powers like their kids, only they don’t use them for superheroing. They’ve never met, so they’re bonding. It’s like a really good “Love Boat” first arc.

The parents don’t seem to know it was Brainiac 5 who created the monster who destroyed Legion headquarters and killed untold billions or trillions, then got a pass on it from his paramilitary gang. Weird thing for the Legion not to tell folks when asking for government handouts and demanding no oversight.

The issue ends on a rote cliffhanger. I wonder if they’ll save the parents.

Jim Janes pencils with Dave Hunt inks. Janes’s very bland, very generic. His heroes look like the illustrations on eighties, Made in China generic action figure packaging. So… not good, but could be a lot worse. Especially for Legion.

Legion of Super-Heroes (1980) #259

The Legion of Super Heroes  259

I actually did a quick Google, and nothing came up (despite the image results showing the very obvious covers side-by-side), so I’m going to assume this detail isn’t an undeniable fact: Legion of Super-Heroes #259 looks ridiculously like Whatever Happened to the Man on Tomorrow a couple of times.

I didn’t even realize the covers until after reading it; I was thinking more about the last page, which has a sad Superboy flying away from his future pals. It’s time for him to go back to Smallville and stay. And his reasoning is so goofy I’m going to spoil it.

Superboy is quitting the Legion of Super-Heroes because he came across Ma and Pa Kent’s gravesite in the future. He imagines they die from some weird tropical disease, and he’s not there to save them. He realizes it’s not real and doesn’t know how they died, which sets him straight enough to fight the bad guy, Psycho-Warrior.

Psycho-Warrior is writer Gerry Conway bringing his late seventies laziness to Legion of Super-Heroes. Last issue, Conway established P-W is from the same mental hospital as Brainiac-5 but not the connection. The connection is P-W saw the Legion going and visiting Brainy and being nice to him, and P-W hates friendly people, so he decided to kill Legionaries. Or at least render them comatose.

P-W’s got a surprisingly bad secret origin too, but he’s basically just a done-in-two super-villain who can move the story along.

After the bad guy’s defeated, Superboy tells his Legion friends he’s going to the past to stay because he can’t forget death’s serious business, and he’s been having too much fun in the future. Or something. It makes no sense, and it’s poorly written, with Conway apparently trying to do a Silver Age homage—an even more gracious interpretation than when I opined he might be trying camp—and it’s more about the spectacle. They’re really doing this nothing-burger of a farewell.

The Legion all waves, knowing they’ll never see Superboy again and whatnot, but none of them are particularly affected. “We all knew this day would come,” one says.

None of the Legionnaires mention they’ve been doing body modification to appear young to Superboy before he leaves, so it’s more like he’s their pet. They’re secretly mentally abusive to him.

Whatever. Conway never used Superboy enough for it to matter he’s leaving, and Conway’s been so disappointing it doesn’t matter if Conway’s not stuck with Superboy anymore.

The Joe Staton and Dave Hunt art tries a little harder than usual. Fails but tries. Staton’s at least got the Silver Age composition down.

Why the heck did they put Conway on this book he’s clearly not interested in doing.

Anyway. Farewell, Boy of Tomorrow.

I actually did a quick Google, and nothing came up (despite the image results showing the very obvious covers side-by-side), so I’m going to assume this detail isn’t an undeniable fact: Legion of Super-Heroes #259 looks ridiculously like Whatever Happened to the Man on Tomorrow a couple of times.

I didn’t even realize the covers until after reading it; I was thinking more about the last page, which has a sad Superboy flying away from his future pals. It’s time for him to go back to Smallville and stay. And his reasoning is so goofy I’m going to spoil it.

Superboy is quitting the Legion of Super-Heroes because he came across Ma and Pa Kent’s gravesite in the future. He imagines they die from some weird tropical disease, and he’s not there to save them. He realizes it’s not real and doesn’t know how they died, which sets him straight enough to fight the bad guy, Psycho-Warrior.

Psycho-Warrior is writer Gerry Conway bringing his late seventies laziness to Legion of Super-Heroes. Last issue, Conway established P-W is from the same mental hospital as Brainiac-5 but not the connection. The connection is P-W saw the Legion going and visiting Brainy and being nice to him, and P-W hates friendly people, so he decided to kill Legionaries. Or at least render them comatose.

P-W’s got a surprisingly bad secret origin too, but he’s basically just a done-in-two super-villain who can move the story along.

After the bad guy’s defeated, Superboy tells his Legion friends he’s going to the past to stay because he can’t forget death’s serious business, and he’s been having too much fun in the future. Or something. It makes no sense, and it’s poorly written, with Conway apparently trying to do a Silver Age homage—an even more gracious interpretation than when I opined he might be trying camp—and it’s more about the spectacle. They’re really doing this nothing-burger of a farewell.

The Legion all waves, knowing they’ll never see Superboy again and whatnot, but none of them are particularly affected. “We all knew this day would come,” one says.

None of the Legionnaires mention they’ve been doing body modification to appear young to Superboy before he leaves, so it’s more like he’s their pet. They’re secretly mentally abusive to him.

Whatever. Conway never used Superboy enough for it to matter he’s leaving, and Conway’s been so disappointing it doesn’t matter if Conway’s not stuck with Superboy anymore.

The Joe Staton and Dave Hunt art tries a little harder than usual. Fails but tries. Staton’s at least got the Silver Age composition down.

Why the heck did they put Conway on this book he’s clearly not interested in doing.

Anyway. Farewell, Boy of Tomorrow.

Superboy and the Legion of Super-Heroes (1977) #258

Superboy  the Legion of Super Heroes  258

Is Legion supposed to be camp? I’m not sure what else makes sense, given writer Gerry Conway’s actually quite good plot and his reliably insipid exposition. Quite good plotting after tricking me in the opening—I thought the splash page said the issue was jumping away from R.J. Brande’s bankruptcy plot, but I just hadn’t reread the exposition enough to understand what Conway was saying.

The Legion has finally met up with Brande, and finally discovered who took his fortune. Then these rogue science police officers attack them, and we get a reasonably good “Legionnaire’s powers are perfect for this situation” action sequence before cutting away to Brainiac 5’s prison island.

Brainiac 5 is not in this issue. Not unless he turns out to have stayed evil and just gotten worse because now the comic’s about a mystery villain. The cover says his name is “The Psycho-Warrior,” but one of the Legionnaires refers to him that way. It’s not his villain name. I mean, it’ll be his villain name, but it doesn’t make any sense. I’m not sure there’s anyone worse at naming villains than late seventies, early eighties Gerry Conway. It’s like he saved all the okay ones for Firestorm and everything else is like… “Psycho-Warrior.”

Conway toggles between the stories, the Legion and the missing fortune, and Psycho-Warrior breaking out of his and Brainy’s prison. Is he Brainy? Probably not; it’s too obviously logical and can’t be drug out.

Because there’s barely a confrontation between the heroes and this new villain (who already hates the Legion, making him just like all their other villains, who hate them for being shitty white kids). He does his escape thing; they go to the Federation Council to have a showdown.

The showdown’s bad but a good idea. If Conway had built to it over a few issues instead of just having a reason for the twist… might’ve been good.

There’s a good narrative device setting up the cliffhanger and then some otherwise lousy writing.

Maybe slightly better than usual art from Joe Staton and Dave Hunt.

This issue’s the last Superboy and the Legion. I wonder if dropping the Boy of Steel’s going to help Conway at all.

Superboy and the Legion of Super-Heroes (1977) #257

Superboy  the Legion of Super Heroes  257

If it weren’t for the backup, which pairs writer Gerry Conway with Steve Ditko (penciling, with Dan Adkins inking), this issue would give the impression Conway doesn’t like the Legion. Or, if he does, he thinks their positive traits are being smug asswipes.

In addition to the charming, sexy (really) backup story about Bouncing Boy and Duo Damsel’s misadventures trying to be regular people colonists, Conway writes the feature. Joe Staton and Dave Hunt are on the art. Maybe if the story weren’t so lackluster, something about their lackluster art would’ve stood out more (I mean, there are some weird Cosmic Boy panels thanks to that outfit, but otherwise).

The feature story is all about how important it is to lie.

The Legion is in trouble with the science police for hijacking the amusement park hovering over the Grand Canyon last issue. They needed to holographic something something to make Brainiac 5 sane again. Except now, no one knows if it works, so they’re just supposed to trust Brainy as the cops and the amusement park owner yell at them.

The issue basically takes place over fifteen minutes, with the morale of the story—for Superboy, no less—being sometimes it’s better to lie to escape accountability. Did the Superboy from Superboy and the Legion go on to be the bad guy in Final Crisis or whatever? It would make sense. They’re all a bunch of assholes.

The subplot involves the rich guy who funds them being out of money—for like the sixth straight issue—but now the Legion knows about it, so Chameleon Boy’s going to get it resolved. At least there’s some momentum on that story, though it’s also a little obnoxious. Especially since it turns out the Legion does have most of their base left, just not the ostentatious part.

This book’s a trip.

The backup’s wonderful, though. Bouncing Boy and Duo Damsel are a cute couple; Ditko’s layouts and Conway’s script have a lovely retro but not condescending thing going on.

I wish they’d take over the feature slot.

Superboy and the Legion of Super-Heroes (1977) #256

Superboy  the Legion of Super Heroes  256

It’s one of those Legion of Super-Heroes issues where they’re asshole teenagers (actually much older people pretending to be teenagers to deceive their time-traveling friend Superboy), and it seems more like the Legion of Super-Delinquents.

This issue, they assault some theme park owner and terrorize innocent people out of the place so they can create a trip through Brainiac 5’s memories. He’s still “insane,” and they’re desperate to cure him. That cure involves one person programming his trip down memory lane while someone else reads his mind to figure out how to manipulate his feelings. When they do find a traumatic event, they change it instead of contextualizing it.

Oops, spoilers. Whatever. They want to brainwash their friend better. Is the Legion a cult?

Anyway.

While one team is trying to cure Brainy, Superboy and Cosmic Boy are destroying space police cruisers. Good thing they’re experts at saving falling ships since now they’re the ones causing the falling. Since I’ve started reading this book, I don’t think the Legion has ever been wrong. I also don’t think the government squares have ever acknowledged their infinite wisdom. Why wouldn’t they tell the government what they needed for Brainy?

Why ask when you can take, I guess? They’re not not little fascists.

And sometimes they’re scantily clad. I’m pretty sure you can find whatever nudie magazine was in the DC offices based on one of the girls, but Cosmic Boy’s got lots of lewd shots in this issue.

Gerry Conway’s still writing. He’s got a few good pages, mostly not. He drops the names too much in conversation, presumably for new readers. Given the arc is a sequel to an arc, which was a sequel to another arc, accessibility is not the series’s strong point.

No matter how often characters refer to each other by names and cool monikers.

The art’s Joe Staton and Dave Hunt. Not their worst, but not any good either.

Legion is wearing me down. Who wants to read about these asswipes.

Superboy and the Legion of Super-Heroes (1977) #254

Slsh254

One of the disappointing but reliable experiences of reading Joe Staton’s Legion of Super-Heroes has been the panels where his art seems to be improving but then doesn’t. In this issue, the same thing happened, and I reminded myself of the phenomenon. First, the art would seem reasonable, then go disastrously wrong.

Even with Dave Hunt inking Staton, the art doesn’t go disastrously wrong in this issue. There are some problem panels, to be sure, but there’s consistently better Staton and Hunt art on this issue than I’d have thought possible.

I wouldn’t bet on much more improvement, but I also wouldn’t have bet on the art getting this reasonable.

The story’s also surprisingly okay, with writer Gerry Conway exhibiting a knack for writing Brainiac 5. The story doesn’t cure or redeem Brainiac 5, which adds a layer to his participation—Superboy goes to him for help; no one can save the seemingly dead Legionnaires but Brainy.

Only Superboy then gets killed with Kryptonite lasers, which seem like such an obvious idea Richard Pryor should’ve used them. Or did he?

Anyway.

Brainiac 5 will figure it all out and save the day with the help of some familiar but irregular guest stars, which allows Conway one of those enthusiastically belabored Legion fights where everyone’s powers are essential. Conway keeps the reader in the dark about Brainy’s plans, so the big battle specifics come as surprises. It’s perfectly decent superhero stuff.

Besides the Brainiac 5 as bad guy stuff, the only other subplot involves the Legion finally tracking down their financier R.J. Brande. He doesn’t tell them how he escaped the shit monsters a few issues ago, but he does finally tell them he’s broke and they’re up a creek.

It’s not a great scene, especially not for the art, but it’s brief and doesn’t drag the rest down.

I’m not optimistic about the book with the current team; maybe someday, though, which is a long way from the norm.

Superboy and the Legion of Super-Heroes (1977) #252

Slsh252

This issue’s the first in the first post-Levitz era. While they left it to Jim Starlin to screw up Levitz’s epilogue, wrapping up that epilogue falls on new writer Gerry Conway. The credits promise “a new beginning” for Superboy and the Legion, with Conway writing, Joe Staton penciling, and Dave Hunt inking.

They’re off to an inauspicious start.

When we left our heroes, Earth had been destroyed (again), betrayed by Brainiac 5, who the Legion told could be emperor of the universe if he stopped the monster he’d imagined into existence from destroying reality. This issue opens with the Legion consulting Brainiac 5 about Matter-Eater Lad, who sacrificed himself to save the world at the cost of his sanity.

It’s not a great opening. They try hypnosis to cure Matter-Eater Lad, which doesn’t work, then they gotcha Brainiac 5 about him still being a prisoner. They tricked him for his intellect, which can’t figure out they’re tricking him.

Matter-Eater Lad and Brainiac 5 are going to be one of the ongoing subplots, along with the Legion’s moneybags running out of money. They’ve been teasing the latter for ages, even making it part of the previous arc. I just realized there’s no follow-up on how it resolved (off-page).

The main plot is the Legion fighting these aliens who are trying to mine the sun. Unfortunately, their technology produces red sunbeams, which render Superboy powerless. In reverse from the usual Legion approach, the bad guys beat the heroes’ individual powers instead of those powers combining to defeat the enemy.

Obviously, they defeat the enemy, but not with their powers.

Conway’s got some okay sci-fi ideas, but not Superboy and the Legion ideas. His characterizations seem either off or limited; new Legion leaders Lightning Lad and Saturn Girl are standoffish with their teammates and cloying with each other. Former leader Wildfire is now the comic relief. Conway’s not trying very hard.

The art’s in the red even for Staton and Hunt.

I didn’t want to give up on these post-Levitz issues without giving them a chance, but I think I’m only committing to one more try.