Dark Horse Presents (1986) #140

Dhp140

The art’s not terrible on the Aliens story—Leonardi and Wiacek do all right (they certainly get the art win for this issue)—but Schultz and Amara’s writing is atrocious. They don’t just feel the need for bad dialogue, they want lots of it too. There’s endless poorly written expository dialogue. And the story is some segue into Dark Horse’s next crappy Aliens series, it doesn’t bother focusing on the neat idea—the aliens home planet. Anyway, decent looking crap.

Then it’s Usagi Yojimbo—my first time reading it ever. I thought the art would be better. Sakai seems to be doing a kids’ book, regardless of the samurai content, but he doesn’t take much time detailing his figures. I wouldn’t even call it anatomy.

Chichester, Barberi and Hvam’s Saint Slayer is ugly and bad. The art’s incomprehensible and Chichester’s writing makes the Aliens guys seem like Faulkner. Total crap.

Dark Horse Presents (1986) #139

Dhp139

It’s a strange Roachmill because it’s very confined—Hedden and McWeeney set it at a public school where Roachmill’s after the school bully. So it’s sort of an all-action story. Dark Horse seems to have included both parts in this issue (there’s a very clear break, with cliffhanger), which is nice. McWeeney’s art is still good though it lacks the vivacious enthusiasm of the early days. The story’s also less about the inappropriate laughs. Maybe because it’s set at a school. Still, it’s a nice piece of work and it’s good to have some more Hedden and McWeeney.

As for Chichester and Barberi’s Saint Slayer? Umm… I don’t get it. Dark Horse had the Buffy license, so why did they print this kung fu Buffy knock-off. It’s an unpleasant read—Chichester’s writing is awful and Barberi’s art isn’t much better. It’s all action… but it plods along. Ick.