Dead of Night (1945, Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer)

Dead of Night is an Ealing anthology from 1945. I don’t know where it fits in the history of anthology films–films composed of a number of shorts, with or without a “bridging” sequence to tie them–because I’m not particularly familiar with the genre. I saw Dead of Night because movielens recommended it, recommended it a little too highly.

The four short films that comprise Dead of Night are fine, some quite good. There’s a disturbing ventriloquist one, starring an excellent Michael Redgrave, and a gentile premonition one about a race car driver. The first two stories don’t take up as much time as the second two, since the first half of the film is also establishing the “bridging” story. It’s not enough to have four short films playing one after the other, Dead of Night tries to wrap a fifth story around the others….

The film fails because of that fifth story. It’s predictable and, by today’s standards, relatively cheap. Though maybe not. I mean, Memento was cheap and no one thought so, so maybe Dead of Night has just as much fictive merit as it did back in 1945. But it doesn’t deserve the merit, because it’s cheap. My dread of the anthology film–especially one with bridging scenes–is that the characters are going to be secondary. Dead of Night realized that fear. The characters are all thin, though amiably played by all the actors, and there’s no depth to the film. It’s a collection of some–mildly–uncanny stories and it’s mildly amusing. If it had been just a little bit better, I wouldn’t feel like I stayed up late to scare myself for nothing. It didn’t even scare me.

1.5/4★½

CREDITS

Directed by Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer; screenplay by John Baines, Angus MacPhail and T.E.B. Clarke, based on stories by H.G. Wells, E.F. Benson, Baines and MacPhail; directors of photography, Jack Parker, Stanley Pavey and Douglas Slocombe; edited by Charles Hasse; produced by Michael Balcon; released by Ealing Studios.

Starring Mervyn Johns (Walter Craig), Roland Culver (Eliot Foley), Frederick Valk (Dr. van Straaten), Anthony Baird (Hugh Grainger), Google Withers (Joan Cortland), Michael Redgrave (Maxwell Frere), Sally Ann Howes (Sally O’Hara), Judy Kelly (Joyce Grainger), Ralph Michael (Peter Cortland), Hartley Power (Sylvester Kee), Barbara Leake (Mrs. O’Hara), Mary Merrall (Mrs. Foley), Elisabeth Welch (Beulah), Miles Malleson (Hearse Driver) and Johnny Maguire (Dummy).


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