After Hours is meticulous. Director Scorsese, editor Thelma Schoonmaker and cinematographer Michael Ballhaus work with exacting precision throughout, with the first third of the film serving to prepare the viewer for the rest. The film follows boring, regular guy Griffin Dunne as he impetuously pursues an attractive mystery woman (Rosanna Arquette) in Soho in the middle of the night.
Scorsese, Dunne and writer Joseph Minion never spend any time establishing Dunne beyond his office drone existence–the viewer comes to sympathize with him due to the strangeness of the events unfolding around him. And the events in the first third are strange in a far more reasonable way than later in the film. Dunne has to maintain sympathy even after he reveals himself to be shallow and callous.
Also during the first third of the film, Scorsese uses a lot of obvious, repeated stylizing to force the viewer to pay attention. So many of the later coincidences and occurrences are fast and just in dialogue, the viewer has to be ready to grab them.
Amid all the noise–After Hours moves very fast and often loud–there are quiet moments of startling humanity, both good and bad. It's a concentrated whirlwind.
Fantastic supporting turns from John Heard, Teri Garr and, especially, Linda Fiorentino. As the ostensible love interest, Arquette manages to be a different person multiple times in a scene while still maintaining consistency. She's essential. Dunne's great.
Scorsese's direction is often breathtaking, especially in how he makes Ballhaus's graceful camera movements unsettling.
Directed by Martin Scorsese; written by Joseph Minion; director of photography, Michael Ballhaus; edited by Thelma Schoonmaker; music by Howard Shore; production designer, Jeffrey Townsend; produced by Amy Robinson, Griffin Dunne and Robert F. Colesberry; released by Warner Bros.
Starring Griffin Dunne (Paul Hackett), Rosanna Arquette (Marcy), Verna Bloom (June), Tommy Chong (Pepe), Linda Fiorentino (Kiki Bridges), Teri Garr (Julie), John Heard (Tom), Cheech Marin (Neil), Catherine O’Hara (Gail), Dick Miller (Diner Waiter), Will Patton (Horst) and Robert Plunket (Street Pickup).