blogging by Andrew Wickliffe

The Mummy Strikes (1943, Izzy Sparber)

If it weren’t for the needlessly racist finish from Lois (Joan Alexander), The Mummy Strikes would probably get a pass. Maybe. The action isn’t particularly impressive, but the Egyptian history lesson is pretty cool. Even if it’s all about young King Tush.

Jay Morton’s script is (mostly) strong–it, Sparber’s direction, and animator Graham Place and Myron Waldman’s backgrounds are the highlights. An Egyptologist is murdered, his assistant is charged. Another professor calls the Daily Planet for Clark (Bud Collyer) to come and hear the truth.

The professor–Jackson Beck–is long-winded and gives Clark the whole history of King Tush, which is remarkably similar to King Tut but with giant guards and some other embellishments. Turns out the dead professor tried to get into the sarcophagus, ignoring the curse. There’s also something about him working to revive the mummified giant guards. Doesn’t matter. There’s just a lot of great Egyptian backgrounds (the museum’s recreating the tomb) and Beck’s exposition delivery is solid. Even with the nonsense.

Lois is also at the museum–she snuck after Clark because he kind of scooped her, or at least was a jerk about it. She’s sadly immaterial. Clark’s the one who sets off the sarcophagus trap, which revives the giant guards. Whose skin inexplicably gets darker the more evil they get? Like the guards of the hieroglyphic backdrops don’t match the revived ones.

The resulting action sequence with Superman fighting the giant guards is unsatisfactory–the detail isn’t great on the animation, it’s the detail on the Egyptian-themed stuff (and the mystery angle at the beginning)–and there’s actually no resolution whatsoever given the revived mummified guards at the end. Just Lois’s joke, which could be done without the racist part yet… they felt the need.

So, ew.

But the first half is good, even if it’s obvious they’re not going to be able to get anywhere with it.

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