For a stupid comedy, Safe Men is pretty good.
Hamburg’s well-aware of what he’s doing and the film is stupid in a funny way. It’s about, basically, eight men and they’re all pretty dumb to a certain degree. Of the two smartest, one is a kid and the other is Steve Zahn, who’s character is in the film only to make the plot work in the third act.
Zahn and Sam Rockwell are a singing duo who model their dress after barbershop quartets (though there’s only two of them) and do inept low-key covers. The music angle isn’t important other than they’re bad (Hamburg even forgets he was going to bring it back at the end). They end up mistaken for safe crackers, which brings Paul Giamatti and Michael Lerner into the film.
Giamatti, who’s hilarious, plays Lerner’s well-meaning, if idiotic lackey. Lerner’s funny but mostly because of Hamburg’s dialogue (it’s well-written dumb content).
However, in smaller roles as the real safe crackers, Mark Ruffalo (in one of his exception performances) and Josh Pais (good, but no Ruffalo), are in the film as well.
Hamburg structures it around conversations, mostly between the men, usually in pairs (though sometimes Michael Schmidt and Harvey Fierstein show up). Rockwell’s got a love interest—Christina Kirk—and she’s good… only she’s a real person among these moronic, genial men.
Rockwell does a decent job in a difficult part.
Safe Men’s short. It could’ve gone longer, but it would’ve lost something.
Written and directed by John Hamburg; director of photography, Michael Barrett; edited by Suzanne Pillsbury and M. Scott Smith; music by Theodore Shapiro; production designer, Anthony Gasparro; produced by Ellen Bronfman, Jeffrey Clifford, Jonathan Cohen and Andrew Hauptman; released by October Films.
Starring Sam Rockwell (Sam), Steve Zahn (Eddie), Michael Lerner (Big Fat Bernie Gayle), Paul Giamatti (Veal Chop), Michael Schmidt (Bernie Jr.), Christina Kirk (Hannah), Mark Ruffalo (Frank), Josh Pais (Mitchell), Harvey Fierstein (Leo) and Michael Showalter (Larry).