It’s Your First Kiss, Charlie Brown is a little weird. Not only because the opening establishing shot has adults (albeit in extreme long shot) but also because Snoopy’s helicoptering around on his ears and Woodstock is his cameraperson. And it’s about the homecoming game, where Charlie Brown is the star kicker. And Snoopy’s both ref and mascot and the kids in the stands put on dances in his honor. First Kiss is painfully trying to be hip but it’s also kind of ambitious. It’s going where no “Peanuts” special has gone before.
All of the jokes fall a little flat. The Snoopy stuff is too overdone. The football game gets a lot of attention, but every time Charlie Brown (Arrin Skelley) goes to kick, Lucy (Michelle Muller)–who is on his team–pulls the ball. And everyone blames Charlie Brown for it because, well, apparently no one ever sees Lucy pull the ball. First Kiss has Peppermint Patty (Laura Planting) getting mad at Charlie Brown. It’s kind of intense.
But the First Kiss stuff is about how Charlie Brown is going to escort the Little Red-Haired Girl at the Homecoming dance. She’s the queen and he’s up. Somehow he’s forgotten he agreed to this activity, which is actually kind of fine given the final punchline in First Kiss but only if writer Charles M. Schulz is trying to imply Charlie Brown has blackouts.
He’s not. Unfortunately. Schulz is just really lazy with the script. He goes big with First Kiss–there are a lot of constant elements to contend with. The football game has the other team, it has the kids cheering, it has the cheerleaders, it has Snoopy, it has Linus sitting around giving Charlie Brown bad advice. The dance is different–and where director Roman gets a tad more enthusiastic.
Roman’s direction is good throughout. More than enough to make up for the animation inconsistencies. Though the repeated frames on the Little Red-Haired Girl get annoying fast. Roger Donley and Chuck McCann edit the actual football game in the football game quite well. The rest is fine. Except on the Little Red-Haired Girl. All the shots of her go on way too long. It’s yet another weird thing about the special.
Not to mention Ed Bogas and Judy Munsen’s funk-lite score. It’s… a lot.
First Kiss is never particularly strong, so it’s never disappointing. It even impresses a bit with Charlie Brown at the dance. It’s just too late. The whole script feels distracted and detached.
Good performance from Muller. Mixed performance from Skelley.
It ought to be better. But it’s not terrible, it’s just kind of blah.