Time Bomb 1 (July 2010)

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Holy cow, what a fun comic book. I think I might like this one more than any other Gray and Palmiotti book I’ve ever read. It plays like a big budget TV miniseries from the eighties or something–time travel to stop the Nazis from destroying the world in the present (a rough description, but accurate).

Gray and Palmiotti fill it with a bunch of fake, but sort of convincing sounding, science (think Michael Crichton without the research) and they sell the whole thing.

There’s some stupid stuff–like the N.W.O. (the New World Order) being the SHIELD of the comic–when did N.W.O. stop wrestling, anyway? And the introductory character stuff doesn’t matter, because they’re spending the rest of the series in the past, fighting Nazis… so who cares?

Gulacy’s art is… well, it’s modern Gulacy and he’s almost sixty and it shows.

But it’s damned entertaining comic book.

CREDITS

Writers, Jimmy Palmiotti and Justin Gray; penciller, Paul Gulacy; inkers, Gulacy and Charles Yoakum; colorist, Rain Beredo; letterer, John J. Hill; editor, Rob Levin; publisher, Radical Comics.

Jonah Hex (2006) #50

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I hate Palmiotti and Gray’s writing. I mock them every time I look through Previews. So damned if I know what I’ll do now one of their comics has made me tear up, has ruined my day, effectively kicked me in the stomach to the point I want to crawl up in the fetal position.

Clearly, the reason this issue of Jonah Hex succeeds is Darwyn Cooke’s artwork. No way anyone else could have made this story so affecting.

I should want to read more of their issues, just in case I’m missing something, but I don’t think anything can really top this issue. In just one issue, they fit in about as much tragedy as occurs in Hamlet.

It’s not particularly thoughtful tragedy, or brilliantly plotted tragedy, but it’s real effective and all because of Cooke. It’s haunting, in fact.

Though the cover doesn’t do the interior content justice.