Doctor Who (2005) s04e18 – The End of Time: Part Two

I don’t know much about “Doctor Who”’s casting history but I did happen across how this episode is Tennant’s last because he quit. So when he’s going through what seems like an eon of histrionics before becoming the new Doctor—you’ve never appreciated Christopher Eccleston’s exit more—which includes him whining about not wanting to leave….

He wanted to leave. He wanted to leave and writer Russell T. Davies gave him a very embarrassing send-off for it.

Eccleston they at least waited to embarrass until he’d left.

Or it was Tennant’s idea, which is a strange, bad choice.

But no one gets off “Who” very well, not as they bid the Doctor farewell… I guess no spoilers but let’s just say they manage to crap on Freema Agyeman one last time.

The episode’s really well-paced again—this Christmas and New Year’s specials feel like four episodes, not two—and there’s some more good stuff with Tennant and John Simm. Every once in a while, you get a great glimpse of how great Simm and Tennant could’ve been as alter egos… if only for different directors and writers.

Bernard Cribbins figures in big. Like, annoyingly big. He plays the big scene like a comedy sketch, which director Euros Lyn can’t compensate and the whole thing backfires. That backfire continues into the pseudo-epilogue, pseudo-prologue.

I’ve already heard enough about the series to have some concerns for where the show’s headed next—even before I knew Alex Kingston was going to be a regular—and the end tag does nothing to dissuade those concerns. Not just the new Doctor, but the inane scale of the regeneration, which never pretends to be anything but a cliffhanger setup but it’s a bad one. It’s a bad choice.

Tennant had been lucky with the Christmas specials (until now, obviously). They were never bad. Not like when “Who” is bad.

But the show gets you every time. No one escapes a shitty farewell.

Doctor Who (2005) s04e13 – Journey’s End

Journey’s End opens with one of the series’s biggest cliffhanger cop-outs–and “Who” is all about the cliffhanger cop-out, so it’s actually a surprise. If the opening titles hadn’t already given it away, I guess.

This episode reveals the villains’ master plan and features them seemingly defeating Doctor David Tennant at every turn. If writer Russell T. Davies hadn’t introduced the deus ex machina early, there might be some tension about whether or not Tennant and company make it through. It’d just be so sad if he died now he’s reunited with Billie Piper.

Apparently it’s straight up they had a romantic—albeit unrequited—love, which isn’t how any of their episodes played especially not once she recruited ex-boyfriend Noel Clarke (who appears here) for the ride. But whatever. Make it all about giving Piper’s character a better ending.

Of course, Piper’s finale is nothing compared to Catherine Tate, who manages to get a more inglorious sendoff from the show than Christopher Eccleston—who just got forgotten like he’d done something wrong—harsh as his crime was not being David Tennant as Doctor Who, who himself wasn’t even David Tennant as Doctor Who yet.

Anyway.

No spoilers, but if you were intentionally writing “Doctor Who” to be full of layered misogyny, I don’t think it’d turn out any different than this episode turns out for Tate. It’s one hell of a flex from Davies.

The evil plan is kind of silly and better effects would help but not going to happen. What else… Camille Coduri is back too. She and Clarke team up with Elisabeth Sladen, which is closer to fun than you usually get with Coduri and Clarke.

It’s also one of those episodes where Tennant does his super-serious thing when he’s upset and it gets old really fast. And the way they end the season is just… unfortunate. It’s all really unfortunate.

Especially since Davies’s villains are better than they seemed last episode, occasionally even funny. More funny would’ve helped. More funny and a better subplot for Freema Agyeman, who manages to be a featured guest star but still get the shaft.

Because “Doctor Who” is about blowing off everyone but Piper, apparently, in a mad chase to bring her back to the show or something.

Whatever.

A friend of mine’s been worried I’m going to turn into one of those “Doctor Who” evangelizers who tells everyone to watch it.

I told him not to worry.

Doctor Who (2005) s04e12 – The Stolen Earth

I started The Stolen Earth with some reservations thanks to the previous episode—a de facto prologue—which managed to both waste and diss Catherine Tate simultaneously, but the first scene won me over a bit. It’s an exterior street scene with Tate and David Tennant and it’s actually shot well. There’s no telling how much better this show might be with better lighting from Ernest Vincze (in general, though this episode too).

Not to mention the CGI. There’s a lot of grand scale CGI this episode and… it’s not good. It’s not even on par with the non-CGI “Star Trek: The Next Generation,” which is a bummer. If “Who” were ever going to deliver on visuals, Stolen Earth would be the time to do it.

The episode kicks off the two-part (three-part including last episode, which should count but apparently doesn’t) season finale… it’s the end of the world. The end of all worlds.

Though we don’t see the all worlds, because Billie Piper’s already here on Earth and now it’s time for Tennant to find her and why isn’t he more excited (because it’s the end of the world, Donna).

Anyway.

Right after the opening scene—and the last good exterior lighting in the episode—the Earth disappears and the TARDIS stays in place. Cue opening credits, including the full “Doctor Who” revival cast (well, not Christopher Eccleston but whatever)—Freema Agyeman, John Barrowman, Elisabeth Sladen, and Billie Piper! In addition to Tate and Tennant, obviously. Written by revival creator and main writer Russell T. Davies!

The first half or so of the episode—which is really well-paced regardless of the questionable special effects–is the “Who” sidekicks trying to figure out what to do without the Doctor. Finally they all figure something out by working together—well, with the help of a special guest star, whose inclusion is nice but just points out how the show failed them (though failing your actors is the only singular thing about “Doctor Who: Phase II”)—and are able to get Tennant to Earth.

Tennant and Tate have been hanging out at the Shadow Proclamation, which isn’t a document but a (poorly CGI-rendered) place, where there are some aliens in charge and then the Rhino cops from last season. The Rhino cops are just comic relief then gone (they’re probably there for last episode’s teaser).

It’s time-killing with a lot more emphasis on the Earth sidekicks, with Piper sheltering with Tate’s family, Bernard Cribbins and Jacqueline King, and Agyeman reuniting with mum Adjoa Andoh (the other four people in the family are completely forgotten). Piper goes from being a badass interdimensional warrior last episode to mooning over absent Tennant, albeit with a giant gun (she looks like she’s walking around with a guitar).

Once the episode—just about halfway through, not even the cliffhanger—reveals the villains, things pick up a bit. Especially since Piper and Agyeman move on out of their respective shelters and the companion supporting cast energy drain goes away.

There are some predictable moments with the reuniting and the villains, with a bit of a cheap cliffhanger device too, but if you’re going to assemble a bunch of likable actors—almost Piper this time too—and have them dramatically goof off around sci-fi, you could do a whole lot worse than Stolen Earth.

Also, am I the only one who thinks “Torchwood” crossover guest star Gareth David-Lloyd looks like Zach Morris?

Doctor Who (2005) s04e11 – Turn Left

Welp, figured out what Catherine Tate was doing while last episode filmed and David Tennant was on his own… she was filming this episode, with Tennant now the Superman III Margot Kidder.

Tate goes to a fortune teller (Chipo Chung, in a particularly inglorious return to the show after she was a major supporting character last season, albeit in full costume) who tricks her into never meeting the Doctor in the first place—two Christmas specials ago—and thereby changing the fate of the universe itself.

So what we get—in addition to this alternate history to the show’s timeline, where London becomes Nazi Germany before a further dystopian thing and it gets so bad even White British people become refugees—is Tate being really kind of annoying. Not good. Very weak character. Turns out if she didn’t meet Tennant, she would’ve gotten more and more shallow and more and more ignorant of current events—be they aliens or concentration camps—and just miserable to be around.

Though she does eventually patch things up a bit with mum Jacqueline King, who’s not good in a more dramatic role. Makes you wonder what the auditions are like for the companion’s mom part—“we want you to be unlikable no matter what the context.” Bernard Cribbins is fine but he’s no longer cute as Tate’s grandfather. He’s one note. Having your granddaughter go off and save the universe while traveling through space and time didn’t make Cribbins or King any more interesting, apparently.

Or Russell T. Davies just writes thin characters and they cast people who can’t add enough.

I haven’t even gotten to the big deal of the episode: Billie Piper is back. She’s back across dimensions not telling anyone her name so there’s not a dimensional collapse or whatever and she’s trying to convince Tate to help her save the universe.

I mean, I guess the episode’s well-paced? Like, there’s a lot. When Tennant gets back from Bermuda or whatever, he’s got a bit of time so they can set up the next episode. See, Tate’s got a message from Piper and it’s the end of the world and time for a “Doctor Who” crossover event (based on the upcoming episode teaser). Though presumably not across multiple shows.

Also, Tennant also realizes Tate’s subplots are all about alternate universes so he thinks it might be important, which is of course different than a lazy, reliable way to gin up an episode, give your lead an alternate life to play.

Anyway.

Two more episodes to the season, I’ll bet it’s a “two-parter,” as Turn Left doesn’t count enough to be a proper first part apparently.

Piper’s better than I remember her, though she also doesn’t have the entourage. We shall see.

Doctor Who (2005) s02e13 – Doomsday

The BBC does market research, don’t they? I’d love to see what their “Doctor Who” market research says as far as target audience. For instance, this episode—the momentous, earth-shattering (literally?) season finale, which will change the Doctor (David Tennant) forever–has the many experienced heroes, including ostensible eccentric space and time genius Tennant, completely flummoxed over an object.

Over a Dalek-shaped object.

It’s like writer Russell T. Davies remained really confused over the beginning of Superman: The Movie into adulthood instead of asking about it when he was… oh, geez, he was fifteen. No, no, not much chance there.

Hopefully he’s just trying for the tween male viewership.

Though it is the first “Doctor Who” to confuse me… I’m still not sure if the Cybermen and the humans team up to fight the Daleks. If so it’s a very short team-up. Maybe it was a coincidence.

Anyway.

The episode’s less about the (limited budget) invasion of the planet Earth from extra-dimensional aliens and more about getting the pieces in order for a cast change. But what kind of cast change… even though the episode still has Billie Piper narrating her last adventure, there are always possibilities.

Wait, wrong franchise.

We also learn it’s been three years since Piper and Tennant left Noel Clarke in an alternate reality where he could feign macho convincingly. It was like four or six episodes ago? The second half of season two has a three year present action. Is there a chart for the timelines? It’s like the show’s made for rerunning out of order.

Shaun Dingwall’s back because the alternate universe is back but he’s a drag in the alternate universe and continues to be a drag this episode.

Piper gets to face off with some Daleks.

Then there’s the big finale, which is effective and surprising and then Davies keeps beating the stick against it until you’re just relieved when it’s all finally over, who cares the casualties.

And then there’s an immediate setup for the next season.

Doctor Who (2005) s02e12 – Army of Ghosts

One Earth episode without Camille Coduri was clearly too much so she doesn’t just appear in this one, she also pretends to be daughter Rose (Billie Piper) and play companion to David Tennant. Coduri and Tennant don’t grate as sharply as one might’ve feared (hard to imagine her and Christopher Eccleston stuck together so much for an episode subplot)….

But I’m forgetting the most important part—the episode opens with Piper narrating. This story is the last one she’s ever going to tell (not really, because there’s a cliffhanger, so she’s referring to a two-part story). During the resulting flashback montage, Eccleston shows up for about two seconds (and not his face); does all “Who” ignore previous Doctors or is it just with Eccleston? If so, rather inglorious.

After the intro montage and narration setup, Tennant and Piper go to present-day Earth so Piper can visit Coduri and get her laundry done. Sleeping arrangements and laundry facilities on the TARDIS… are they ever discussed?

Right away, Tennant and Piper know something’s wrong because the Earth is now visited on a regular basis by ghosts. Investigating leads them to the mysterious Torchwood Institute, run by a game but too thinly written Tracy Ann Oberman, who are actually causing the ghosts by punching holes in the universe or something.

Doesn’t matter. What matters is Tennant knows they’re not ghosts—doesn’t say how he knows, “Who”’s de facto atheist, after all—and he tries to get Oberman to knock it off and do some investigating.

Unfortunately, we—the audience—know the Cybermen are back as they’ve slowly been taking over Oberman’s staff, principally Freema Agyeman and Hadley Fraser, who are conspiring to do something. Will Tennant be able to save the day, even though he’s got Coduri at his side so Piper can investigate on her own?

Not sure, because it’s a cliffhanger. It’s also a bit of old home week for Piper, because the Cybermen aren’t the only ones back from another dimension….

Noel Clarke’s back, playing tough again.

Clarke’s not good tough, but he’s a lot better tough than whiney.

Better than I was expecting direction from Graeme Harper, on par writing from Russell T. Davies (on par for Russell T. Davies, I mean).

The bookend is annoying and the cliffhanger reveal’s a trope.

Doctor Who (2005) s02e11 – Fear Her

For an Earth episode, especially one with a strangely disjointed narrative with dueling MacGuffins, Fear Her is okay. There’s not a very high bar for the Earth episodes so getting to see David Tennant and Billie Piper doing an ad for the 2012 Olympics in London. They show up—six years into Piper’s future—to watch the games, but land of a street where kids have been disappearing lately.

It’s a bit of a race to see who’s going to take the lead on the investigation—Tennant or Piper, as she’s finally coming into her own (again)—and we quickly learn there’s something weird going on with (only Black kid on the block) Abisola Agbaje. By we in this case, I mean the audience, because we find out right away Agbaje is vanishing kids and turning them into living drawings or something, while her mom, Nina Sosanya, doesn’t want to see there’s a problem.

But it also doesn’t take Piper and Tennant much time to figure it out either. And once they do, the episode kind of spins its wheels but in a fairly nice way. Tennant’s good with the family drama and Piper’s effective worrying about the missing kids.

And Euros Lyn’s directing so when the episode gets around to putting Agbaje in danger, it’s well-executed danger.

The big twist is… fine. It’s not actually a big twist and the show can’t figure out a way to pretend otherwise. Then writer Matthew Graham (an experienced TV writer and show creator—the great “Life on Mars”) just does some wonky fan service, Anglophilia thing. Before some padding with Tennant and Piper being such great pals because just as Piper feels like they’re going to be a great team forever… Tennant feels a great disturbance—and fears something terrible is going to happen.

Then we get the very spoiler-y preview of the season finale.

Again, it’s a qualified okay episode—it’s an Earth episode without the bad stuff but also without any of the good stuff in the actual good Earth episodes. It’s nice getting Tennant and Piper just doing a regular adventure.

Doctor Who (2005) s02e10 – Love & Monsters

It’s a not bad concept episode (written by Russell T. Davies, which seems weird but whatever) about a regular bloke (Marc Warren) who records a video diary on his digital camcorder to upload at 160×120 to his FTP server to share his story about the Doctor. I mean, it’s a YouTube doc before anyone knew there’d be YouTube docs. At least Davies knew where the format was going.

And once it’s clear the Doctor (David Tennant) isn’t showing up as a principal, the episode’s fine. It’s always amusing—Davies goes for more smiles than laughs and the episode’s mostly well-cast so the cast quickly endears.

When Warren was a kid he saw the Doctor in his house. As an adult, he lives through the alien invasions of the last two seasons and joins a group of other alien enthusiasts and they soon get talking about the Doctor. Eventually, they become a family, which is great until a government agent (Peter Kay) takes over their group and sets them about Doctor-hunting.

If Kay were good, it’d be great. Instead, he’s not, and it’s a not bad concept episode. It’s zany. There’s not a lot of Tennant and Billie Piper, as they’re guest stars in Warren’s life, but when they show up it’s fun and funny. Slapstick. There’s slapstick. The slapstick’s really cute.

The plot eventually involves Warren stalking Piper through Camille Coduri and an attempted seduction scene as we get to see what life’s like for Coduri when Piper’s not around. Also Mickey’s not around, which is another sadness for Coduri. It’s… the best Coduri’s been in a while. There are asterisks, but more relating to Davies’s writing and Dan Zeff’s direction.

Zeff’s okay. Better than a lot of “Who” directors without being one of the good lot.

Shirley Henderson plays the girl in the group who Warren’s crushing on. It’s a not exactly a cameo but kind of like an extended one. Maybe she’s a “Who” fan?

It’s cute, at least until the punchline, which is incredibly problematic if you give it much thought.

Doctor Who (2005) s02e09 – The Satan Pit

So, the title sort of gives away the big reveal. The Satan Pit refers to the giant hole in the middle of the planet, where they’ve already dug twelve miles down and sent David Tennant and Claire Rushbrook to investigate. She wants to go in the existing pit, as opposed to the tunnel they dug.

Tennant, however, doesn’t really think going into the pit is a good idea. Even if it’s not Satan. But it sure sounds like it’s Satan. What’s his story? Think Star Trek V. Yes, indeed, “Doctor Who” comes along and does Star Trek V almost twenty years later, makes it great, but also shows off what the “Who” franchise can do in contrast to what “Trek” can’t.

But the episode isn’t director James Strong or writer Matt Jones resting on their “gods in need of starships” laurels; it’s not even just a straight “Who” episode, with Tennant dealing with the Devil (or at least trying to convince Rushbrook they really don’t need to go investigate whether or not its Satan in the pit), while Billie Piper leads the humans above as their slave army of Oods turns lethal—the telepathic Oods prove susceptible to Satanic suggestion. So not only is it great Trekkie sci-fi, it’s great sci-fi action, and then there are all these great character arcs. Piper, captain Shaun Parkes, Rushbrook, Tennant—more about him abandoning Piper in their last moments versus fretting over what god needs with a starship (initially), plus Danny Webb as the security chief. It’s just a great episode. And a great two-parter. Definitely the most successful episodes of the series to date.

And it’s still the same technical team, which is a surprise. Strong just knows how to get Ernest Vincze to light better?

Perfect ending too. It all just works out so well.

If only the show can keep up this new momentum… they really do need to stay clear of the plant Earth. “Who” is better at the broad extraterrestrial sci-fi than the earthbound stuff. It also helps giving Piper and Tennant actual character arcs.

So big cheers for writer Jones and director Strong. They finally give Tennant a show deserving of him.

Doctor Who (2005) s02e08 – The Impossible Planet

The Impossible Planet has just what “Who” needs… right now anyway. There’s a new director to the series (James Strong) and a new writer (Matt Jones), and they give the series a push in a better (arguably best so far) direction. Is there going to be any momentum… probably not. “Who,” even the two-parters, is episodic not just in its storytelling but also its making. For whatever reason, Strong’s able to do a lot more with cinematographer Ernest Vincze’s DV lighting and Mike Jones’s editing than anyone else this season or last.

The titular planet has no name in the episode, not even a designation. David Tennant and Billie Piper go bandying about the galaxy and find themselves in some future time at an Earthling research station. The station is on a planet trapped in a black hole’s gravity well but immobile because of a huge power source. The researchers are digging to the core to discover what’s the power.

There’s Claire Rushbrook as the scientist, Shaun Parkes as the acting captain, Danny Webb as the security chief, Will Thorp as the archeologist (they’ve discovered some billion year old civilization), Ronny Jhutti is the tech nerd, and MyAnna Buring is the bosom-y maintenance tech. Because it’s 2006 and they’re still British, after all.

Writer Jones writes distinct characters with enough meat for the actors to flesh them out, with Strong directing the actors, which the show could use a lot more often.

Once Tennant and Piper get oriented—they also discover the humans have a bunch of slaves (called the Ood, who “need” to be slaves so it’s all right, otherwise they’d lemming apparently)—there’s a big earthquake (Impossible Planet quake) because black hole rippling the planet and the TARDIS falls in, stranding Piper and Tennant.

So as they get used to the idea of not just being trapped in a time and place—with Piper a lot more comfortable with the idea of homesteading with Tennant than vice versa—the researchers are just about to get to the core and they’re all about to find out exactly what’s going on. There are various hints—including demonic possession and the Ood acting weird—before it’s clear “Who” is about to try a different take on a very familiar fail of a different sci-fi franchise….

No spoilers (yet), but thank goodness they got the right director for this one.