And here we have Bruce Jones trying to do a very gritty, realistic story and the art just not servicing it. John Romita Jr. does handle a lot of Jones’s cinematic influences okay, but his page design is too simple and his world is way too soft. Romita always safely curves his lines at some point.
The story has Bruce Banner on the run, as usual, and living in a crappy motel in a bad part of town. There’s a little about how close the cops are to catching him, but mostly it’s this story about Banner and a local tough. The kid’s fallen in with a gang, Bruce is trying to convince him to reform.
It’s decent with the Romita art–the issue overall–but the right style would have helped a lot more. Jones tries to focus on the collateral damage but, unfortunately, Romita doesn’t try to agree.
The Morning After; writer, Bruce Jones; penciller, John Romita Jr.; inker, Tom Palmer; colorist, Studio F; letterers, Richard Starkings and Wes Abbott; editors, John Miesegaes and Axel Alonso; publisher, Marvel Comics.