The art is uneven. Mandrake has some excellent composition and okay panels, then some not so good of either. He can’t do the action scenes; his Batman and Robin fighting thugs looks like scene out of the Adam West TV show.
But even with uneven art, it’s a great issue. Two high points–the epilogue where Jerry Hall–sorry, sorry, I mean, Alicia–sorry, no, it’s Circe here. Circe. Anyway, Circe gets back some measure of vengeance. Very cool.
Other high point? This weird scene with Bruce discovering Vicki is very buff now and he’s all about the muscle gals. It’s out of place in the story–she’s at his costume ball so he can put her in danger from the Black Mask–but very amusing. Moench does get in some good subtle digs from time to time.
The duality between Black Mask and Batman’s neat too.
It’s quite good.
Ebon Masquery; writer, Doug Moench; artist, Tom Mandrake; colorist, Adrienne Roy; letterer, John Costanza; editor, Len Wein; publisher, DC Comics.