More problems. Doll goes back to her old neighborhood and Tomboy shows her how everything has changed.
Only Johnston–and Moore, he doesn’t get off the hook for this one–never showed how it was when Doll was there. There’s no passage of time; Doll could have been a model for a couple weeks, a couple months or a year. Since Johnston and Moore never established the ground situation or how much time has passed since the beginning of Fashion Beast, it’s hard to say.
The lengthy tour with Tomboy explaining why functional fashion is better is trying. It’s Moore’s second big monologue about the place of fashion in the world and not even the first one worked. Fashion Beast isn’t enough about fashion for these monologues.
And then the shocker of an ending. It almost reads like Johnston hadn’t read the whole script when breaking it out to issues.
The Lovers; writers, Malcolm McLaren, Alan Moore and Antony Johnston; artist, Facundo Percio; colorist, Hernan Cabrera; letterer, Jaymes Reed; editor, Jim Kuhoric; publisher, Avatar Press.
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