The Unwritten 32.5 (February 2012)

853274It’s more from the adventures of young Pullman. I was wondering if it would turn out to be him and it does. Not sure if it’s supposed to be a surprise–Dean Ormston, who “finishes” (which looks like all the art), doesn’t draw the traditional Pullman. He’s a lot dirtier here.

Given the story takes place around 2500 BCE, the dirt is no surprise.

Carey looses Pullman on poor Gilgamesh, who goes monster hunting on the villain’s suggestion. The issue makes certain aspects of the Unwritten mythology quite literal, which is neat. Ormston does a great job with monsters.

Gilgamesh narrates the issue, giving Carey the opportunity to show off writer chops, but it also gives the reader a new perspective. Even with the time period, the reader knows more than Gilgamesh about what he’s encountering. Or some of it, anyway.

It’s yet another excellent issue. Thoughtful, action-packed goodness.

CREDITS

Set in Stone; writers, Peter Gross and Mike Carey; pencillers, Gross and Dean Ormston; inker, Ormston; colorist, Fiona Stephenson; letterer, Todd Klein; editors, Joe Hughes and Karen Berger; publisher, Vertigo.

One Comment

  1. vernon wiley

    Just for the record, Carey & Gross were old partners on Lucifer, and Ormston was their fill in artist on that series as well. While a touch less realisitique than Gross, a much better portrayer of monsters and nightmares.

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