Besides Moore’s dialogue, the issue’s got nothing going. It’s four conversations with Johnston inserting filler between them.
Doll and Tomboy argue about the outfit. Doll ends up seeing the boss about it. Tomboy and the custodian girl–who was supposed to be fired at the end of the first issue, I thought–have quick conversation, then Doll and Tomboy have another one.
Once again, Percio does wonders with Doll’s expressions. He doesn’t do as well with Tomboy, who sort of takes over the issue. But the dialogue is all fantastic so it plays quite well.
Johnston is very reductive in his adaptation. The transitions are usually montages, which make sense for something fashion-oriented, but if he’s going to confine activity to the clothes factory… he needs to bring more personality to it.
There’s almost nothing acknowledging the outside world here.
The dialogue and art continue to make it worthwhile.
Justice; writers, Malcolm McLaren, Alan Moore and Antony Johnston; artist, Facundo Percio; colorist, Hernan Cabrera; editor, Jim Kuhoric; publisher, Avatar Press.