I wonder how His Marriage Wow would play without Vernon Dent. His character is an inexplicably omnipresent professor who counsels leading man Harry Langdon as to his future wife’s murderous intentions.
Of course, Marriage is never scary and never tries to be scary, so the whole groom in danger aspect is just a waste of time. And the short opens with even more time wasting as Langdon can’t find the right chapel for his wedding.
Having a directionally challenges and dimwitted protagonist does Marriage no favors. But at least Langdon’s good, unlike Dent, who just gets worse and worse.
Sadly, Natalie Kingston’s bride has nothing to do. The filmmakers seem to think Langdon and Dent are a better pair, but never even try to explain why Dent would be around.
Edwards’s direction is mediocre but occasionally inventive.
Marriage isn’t exactly disappointing, but Dent’s terrible performance does overshadow any redeeming qualities.
Directed by Harry Edwards; written by Arthur Ripley; titles by Al Giebler; directors of photography, Lee Davis and William Williams; edited by William Hornbeck; produced by Mack Sennett; released by Pathé Exchange.
Starring Harry Langdon (The Groom), Natalie Kingston (The Bride), William McCall (Her Father) and Vernon Dent (A Pessimist).