Red 2 is a lot of fun. It’s so much fun, in fact, most of its problems are never obvious during the actual film, only on later reflection.
The film opens quickly–Bruce Willis and Mary-Louise Parker going shopping seems to be very fast, but turns out to be one of the slowest sections of the movie–and never stops. Towards the finish, the film hits a lot of unexpected twists and every pause eventually becomes suspect. Director Parisot and writers Jon and Erich Hoeber are stunningly confident in the film, its script and primarily its cast.
Red 2 wouldn’t work without two components… its female actors, Helen Mirren and Parker. Even though the cast is respectable, Mirren makes the thing regal. And Parker brings humanity to the film, which often plays its sexagenarian ultra-violence for laughs. They’re the glue of the film.
Parisot and the Hoeber brothers actually trust the viewer quite a bit throughout. John Malkovich and Willis have a lot of friendship establishing scenes at the front, then less and less as the picture moves on. But the later scenes rely on the viewer’s recall.
Malkovich is utterly fantastic. His background ticks alone make the film worth seeing.
Willis’s role is easy and he’s good; he and Parker have a lovely chemistry.
Anthony Hopkins and Catherine Zeta Jones are adequate as far as the cast additions; Lee Byung-hun is the strongest.
Red 2 has some not insignificant problems, but it’s a definite, assured success.
Directed by Dean Parisot; screenplay by Jon Hoeber and Erich Hoeber, based on characters created by Warren Ellis and Cully Hamner; director of photography, Enrique Chediak; edited by Don Zimmerman; music by Alan Silvestri; production designer, Jim Clay; produced by Lorenzo di Bonaventura and Mark Vahradian; released by Summit Entertainment.
Starring Bruce Willis (Frank), John Malkovich (Marvin), Mary-Louise Parker (Sarah), Helen Mirren (Victoria), Anthony Hopkins (Bailey), Lee Byung-hun (Han Cho Bai), Catherine Zeta-Jones (Katja), Neal McDonough (Jack Horton), David Thewlis (The Frog), Garrick Hagon (Davis), Tim Pigott-Smith (Director Philips) and Brian Cox (Ivan).