A scene from BOXING GLOVES, directed by Robert A. McGowan for Metro-Goldwyn-Mayer.

Boxing Gloves (1929, Robert A. McGowan)

It’s hard not to like Boxing Gloves’s central sequence—a boxing match between Norman ‘Chubby’ Chaney and Joe Cobb—it’s two little fat kids in enormous boxing gloves duking it out. It’s also the sequence where McGowan shows the most directorial zeal. Unfortunately, it’s the place where the short’s particular sound situation (it’s a silent converted to sound and most of the bout is eerily silent) is most damaging.

Overall, the short’s reasonably amusing. It’s my first Our Gang as an adult and there’s a definite appeal to it. More, actually, before the big boxing match, as H.M. Walker’s dialogue sounds more like adult dialogue—and situations—given to deadpan kids.

The treatment of Allen ‘Farina’ Hoskins is interesting. He’s black and race is a nonissue; to say it’s uncommon for films of the era is beyond understatement. He easily gives the Gloves’s best performance, balancing charm and self-awareness.



Directed by Robert A. McGowan; screenplay by H.M. Walker, based on a story by McGowan and Hal Roach; director of photography, F.E. Hershey and Art Lloyd; edited by Richard C. Currier; music by Marvin Hatley; produced by Roach; released by Metro-Goldwyn-Mayer.

Starring Norman ‘Chubby’ Chaney (Chubby), Joe Cobb (Joe), Jean Darling (Jean), Allen ‘Farina’ Hoskins (Farina), Bobby ‘Wheezer’ Hutchins (Wheezer), Mary Ann Jackson (Mary Ann), Harry Spear (Harry) and Jackie Cooper (Jackie).


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