Tag Archives: Hal Roach

Boys Will Be Joys (1925, Robert F. McGowan)

Boys Will Be Joys is a strange Our Gang outing, simply because the story doesn’t belong to the Gang. Instead, sixty year-old industrialist Paul Weigel has grown bored being a successful grown-up and just wants to goof off.

Luckily, he happens to be developing a plot of land the Gang has built an incredible amateur amusement park on and they come by his office demanding he stop developing.

There’s a shocking lack of tension to Joys. It’s fairly certain from a few minutes in–after Weigel bats a couple balls with some teenagers in a ballgame–the Gang isn’t going to meet with much resistance from the “adult.” Weigel even orders his subordinates to run the machinery so the boys can enjoy the rides.

McGowan’s got some decent shots and the amusement park set-up is rather impressive.

I think there’s only one gag in the entire picture.

1/3Not Recommended

CREDITS

Directed by Robert F. McGowan; written by Hal Roach; titles by H.M. Walker; director of photography, Art Lloyd; edited by Richard C. Currier; produced by F. Richard Jones; released by Pathé Exchange.

Starring Allen ‘Farina’ Hoskins (Farina), Andy Samuel (Andy), Jackie Condon (Jackie), Jannie Hoskins (Jannie), Jay R. Smith (Jay), Johnny Downs (Johnny), Joe Cobb (Joe), Mickey Daniels (Mickey), Mary Kornman (Mary) and Paul Weigel (Henry Mills).

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War Feathers (1926, Robert F. McGowan and Robert A. McGowan)

I expected an Our Gang short titled War Feathers to be racist, but I was unprepared for how racist it gets.

It opens with the kids torturing a train conductor–and Joe Cobb in blackface. Sorry, “chocolate” face. The poor conductor doesn’t just have to try to contain them, he’s also got them pretending to be good for their parents. Of course the parents don’t believe a black train conductor.

It makes you wonder if the point’s to want to see the kids drown.

Then the kids leave the train and go to an Old West town. There they see a lot of Native Americans. One eventually kidnaps Farina.

In an interesting turn of events, after outlaws kidnap Farina again, he gets sick. They try to help him, making them the nicer than anyone else in Feathers.

It finishes with the Gang stranded in the wilderness. Unfortunately not to stay.

1/3Not Recommended

CREDITS

Directed by Robert F. McGowan and Robert A. McGowan; written and produced by Hal Roach; titles by H.M. Walker; edited by Richard C. Currier; released by Pathé Exchange.

Starring Allen ‘Farina’ Hoskins (Farina), Joe Cobb (Joe), Johnny Downs (Johnny), Jannie Hoskins (Mango), Jackie Condon (Jackie), Scooter Lowry (Skooter), Clifton Young (Bonedust), Jay R. Smith (Jay), Peggy Ahearn (Peggy), Mildred Kornman (Mildred), Chet Brandenburg (Rancher at the Whistling Clam), Allan Cavan (Train passenger), George B. French (Rancher at the Whistling Clam), Ham Kinsey (Conductor) and Sam Lufkin (Sheriff).

No Noise (1923, Robert F. McGowan)

In some ways, No Noise has it all. Kids getting high off laughing gas, then enjoying a little electrocution, there’s some cross-dressing… it seems like there’s even more. The threat of Farina being operated on by the Our Gang kids. Actually, Farina’s practically in drag too. I guess boys and girls closes weren’t particularly distinct in the twenties. When Mickey Daniels shows up wearing Mary Kornman’s dress, the other boys don’t even bat an eye.

The short is weak at the start and finish, but relatively strong in the middle. McGowan composes some good shots during the gang’s initial trip to the hospital (to visit Mickey and eat ice cream). It all falls apart at the end with these endless “haunted hospital” gags. The sets look terrible in that sequence.

And the weak open is all Daniels’s fault. An annoying twerp isn’t a good protagonist.

Noise is benignly dreadful.

1/3Not Recommended

CREDITS

Directed by Robert F. McGowan; screenplay by Hal Roach; titles by H.M. Walker; produced by Roach; released by Pathé Exchange.

Starring Allen ‘Farina’ Hoskins (Farina), Andy Samuel (Andy), Ernest Morrison (Sunshine Sammy), Jackie Condon (Jackie), Jack Davis (Jack), Joe Cobb (Joe), Mickey Daniels (Mickey), Mary Kornman (Mary) and Beth Darlington (Mickey’s nurse).

Oliver the Eighth (1934, Lloyd French)

Watching Oliver Hardy muddle through Oliver the Eighth‘s terrible dialogue makes one wonder if the short truly did not have a writer–there isn’t one credited–or if the actors just made it up on the spot.

Given the rampant stupidity in Eighth, the latter seems more likely.

The short’s idiotic “writing” hampers it more than enough and director French’s ineptitude just makes the viewing experience work. Eighth concerns Hardy and Stan Laurel ending up locked in a house with a murderous widow and her nutty butler. The butler, played by Jack Barty, is mildly amusing at times, making him the only good thing in Eighth.

In order for the plot to work Hardy and Laurel have to be incredibly stupid and incredibly passive. The short opens with them owning a barber shop. It isn’t believable they could get to a job, much less own a business.

Eighth is awful.

1/3Not Recommended

CREDITS

Directed by Lloyd French; director of photography, Art Lloyd; edited by Bert Jordan; produced by Hal Roach; released by Metro-Goldwyn-Mayer.

Starring Stan Laurel (Stan), Oliver Hardy (Oliver), Mae Busch (Mrs. Fox) and Jack Barty (Jitters the Butler).