Mindhunters (2004, Renny Harlin)

Want to see an amazing, can’t-believe-I-haven’t-heard-of-him performance by Eion Bailey? See Mindhunters. Want to see a goofy, affable Val Kilmer performance (maybe the first of its kind since Real Genius)? See Mindhunters. Want to see Christian Slater’s possibly best performance since Pump Up the Volume? See Mindhunters.

Want to see a terrible Jonny Lee Miller performance, where he tries a Southern accent? Mindhunters. Or LL Cool J totally failing in a major role (since he established himself as the likable but possibly tough supporting character)? Mindhunters again. Want to see something where you’re shocked to remember Renny Harlin directed Die Hard 2? Not kidding, Mindhunters.

I didn’t fit Clifton Collins Jr. giving a bad performance (the first I’ve seen from him) in that last paragraph. Oops.

Mindhunters appears to be Dimension’s attempt to turn Kathryn Morris into its Julia Roberts (and Patricia Valesquez, in maybe the film’s most absurdly awful performance, into its Angelina Jolie).

The film’s a considerable disaster, if only because the pacing is so idiotic–it didn’t get a theatrical release and it’s easy to see why. Unlike some of the other atrocious (but theatrically released) Dimension efforts, Mindhunters doesn’t even have a compelling cast. While there are good actors and good performances (the two are not corollary, however), Mindhunters would have been better served as a network miniseries. The script’s weak characterizations and Harlin’s laughable direction do the film no favors.

Though, I suppose, Charles Wood’s production design is good.

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