Surrogates (2009, Jonathan Mostow)

So they take Bruce Willis and de-age him, but then they put Rosamund Pike in old age make-up? That one doesn’t make much sense.

Surrogates is another modern future concept movie–like iRobot or Minority Report–the future comes crashing down because of the movie star hero, there’s some kind of conspiracy involving the new technology, on and on it goes. Surrogates has a lot of potential, but it’s like Mostow doesn’t get it–they can throw people around and have them break, they can have this extensive chase scenes (robot vs. car), but Mostow only uses such devices sparingly.

The film runs less than ninety minutes and barely has time for one subplot, let alone any texture. The script’s, on a scenic level, okay; the film needed a firmer hand, kind of a mainstream Tati approach (the end reminds of Play Time, visually, for just a moment). Oliver Wood’s fantastic photography helps.

Surrogates doesn’t take any time to delve into the film’s society either–the concept of people piloting beautified versions of themselves around is incredibly interesting, but where are the broken down models people can’t afford to have repaired or the old ones. The logic only works when these robots equate to cars and the American devotion to them. But these aspects aren’t pitfalls, they’re missed opportunities. Instead of making a mainstream Play Time, it’s a Bruce Willis movie. And a short one.

It would have been amazing with Dustin Hoffman and Jessica Lange, for example.

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