A scene from GODZILLA VS. MECHAGODZILLA, directed by Fukuda Jun for Toho Company Ltd.

Godzilla vs. Mechagodzilla (1974, Fukuda Jun)

I want to be more enthusiastic about Godzilla vs. Mechagodzilla. It has a number of good moments, often involving giant monsters, which is impressive. Godzilla facing off against a mechanical Godzilla (not to mention a flesh-covered cyborg–nothing dead will go), it’s a great visual. Director Fukuda milks it and he milks it well. The film sails into the third act, but the finish is more a stalling out than an ending. It’s too bad, because so much of the film’s a success.

The human stuff–two brothers who get involved with an alien plot to destroy the planet and the giant dog monster protector of Okinawa, complete with love interests and mentors–is solid. Everyone works at their part, even when they have nothing to do. Daimon Masaaki spends the entire fight scene acting with his eyebrows. None of his emoting matches what his character is watching, but it doesn’t matter. The dedication is endearing.

So it’s even more frustrating where Mechagodzilla finally breaks down is in resolving all that human stuff. The final fight is a pyrotechnic marvel–the whole film’s a pyrotechnic marvel–but the light show is a poor substitute for an ending to the film. Fukuda doesn’t have a finish.

Lots of good work from the crew, particularly Ikeda Michiko’s editing. He does these snappy montages and creates a far amount of tension in a short amount of time, just with the actors’ expressions. Satô Masaru’s music is necessary for those montages to work. The score keeps a certain pace to the film.

Godzilla vs. Mechagodzilla is a well-produced, well-acted Godzilla movie. But it’s too slight on story, too slight on characters. Fukuda doesn’t balance the human story and the monster battle and it sinks the film just when it needs to be excelling.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Fukuda Jun; screenplay by Fukuda and Yamamura Hiroyasu, based on a story by Fukushima Masami and Sekizawa Shin’ichi; director of photography, Aizawa Yuzuru; edited by Ikeda Michiko; music by Satô Masaru; production designer, Satsuya Kazuo; produced by Tanaka Tomoyuki; released by Toho Company Ltd.

Starring Daimon Masaaki (Shimizu Keisuke), Aoyama Kazuya (Shimizu Masahiko), Tajima Reiko (Kanagusuku Saeko), Hirata Akihiko (Professor Miyajima), Matsushita Hiromi (Miyajima Ikuko), Koizumi Hiroshi (Professor Wagura), Imafuku Masao (High Priest Tengan), Lin Beru-Bera (Princess Nami), Kishida Shin (Interpol Agent Nanbara) and Mutsumi Gorô (Alien Supreme Leader Kuronuma).


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