Even though it still falls apart at the end, this truncated, eight millimeter version of Dracula is better than the regular version. It’s exactly what I was hoping for from these Castle Films digests.
All of the long dialogue scenes are gone. There’s no explanation of vampires, the entire sequence before London is gone, no one even identifies Dracula by name until the flopping finish. It’s a really neat way to see the film, as it changes so many implications.
Even better, Lugosi doesn’t even have any lines. He’s a mysterious predator, not an awkwardly accented royal. There’s just enough romance between Helen Chandler and her beau too. It efficiently establishes the characters. Chandler’s first encounter with Lugosi is random chance, which makes Lugosi’s Dracula far more dangerous.
I wasn’t expecting much from this version, but Dracula finally works out. Until that ending, which is just too broke to fix.
Directed by Tod Browning; written by Hamilton Dean, John L. Balderston and Garrett Fort, based on their play and the novel by Bram Stoker; director of photography, Karl Freund; edited by Milton Carruth and Maurice Pivar; produced by Browning and Carl Laemmle Jr.; released by Castle Films.
Starring Bela Lugosi (Count Dracula), Helen Chandler (Mina), David Manners (John Harker) and Edward Van Sloan (Van Helsing).